Edited by Ruth Towse, Professor of Economics of Creative Industries, CIPPM, Bournemouth University and CREATe Fellow in Cultural Economics, University of Glasgow, UK and Christian Handke, Assistant Professor of Cultural Economics, ESHCC, Erasmus University Rotterdam; Senior Researcher, IViR, University of Amsterdam, the Netherlands

• Contents:Introduction Christian Handke and Ruth TowsePART I: PERSPECTIVES ON DIGITIZATION IN THE CREATIVE ECONOMY1. General Purpose Technologies Cliff Bekar and Erin Haswell2. Reining in Those Unstoppably Rising CostsWilliam J. Baumol3 Evolutionary PerspectivesJason Potts4. Space and PlaceAndy C. Pratt5. Business ModelsNicola Searle and Gregor White6. Dynamic Competition and AmbidexterityHans van Kranenburg and Gerrit Willem Ziggers7. From Prosumption to ProdusageAxel Bruns8. Consumption PatternsKoen van Eijck and Max Majorana9. Digital DividePippa Norris and Ronald InglehartPART II: DEVELOPMENT OF TECHNOLOGIES IN THE CREATIVE ECONOMY10. Copying TechnologiesCliff Bekar11. Technological Change and Cultural ProductionPeter Tschmuck12. Media ConvergenceMichael Latzer13. Has Digitization Delivered? Fact and Fiction in Digital TV BroadcastingReza Tadayoni and Anders HentenPART III: POLICY AND COPYRIGHT ISSUES IN THE DIGITAL CREATIVE ECONOMY14. Cultural PolicyTerry Flew and Adam Swift15. Measuring the Creative EconomyPeter Goodridge16. International Trade in Audiovisual ProductsGillian Doyle17. Copyright LawPeter Di Cola18. Copyright Law and Royalty ContractsRichard Watt19. Copyright and Competition PolicyAriel Katz20. Collective Copyright ManagementReto M. Hilty and Sylvie Nérisson21. Copyright LeviesJoost PoortPART IV: COPYRIGHT AND DIGITIZATION: EMPIRICAL EVIDENCE22. Empirical Evidence on CopyrightChristian Handke23. Internet Piracy: The Estimated Impact on SalesStan J. Liebowitz24. Artists, Authors’ Rights and CopyrightKristín Atladottír, Martin Kretschmer and Ruth Towse25. New Opportunities for AuthorsJoëlle Farchy, Mathilde Gansemer and Jessica Petrou26. Orphan WorksFabian Homberg, Marcella Favale, Martin Kretschmer, Dinusha Mendis and Davide Secchi PART V: CREATIVE INDUSTRY STUDIES27. Performing ArtsRuth Towse28. Art MarketsPayal Arora and Filip Vermeylen29. MuseumsTrilce Navarrete30. PublishingPatrik Wikstrom and Anette Johansson31. eBook and Book PublishingJoëlle Farchy, Mathilde Gansemer and Jessica Petrou32. Academic Publishing and Open AccessFrank Müller-Langer and Marc Scheufen33. NewsPiet Bakker and Richard van der Wurff34. Digital MusicPatrick Waelbroek35. FilmPaul Stepan36. BroadcastingGlenn Withers37. Games and Entertainment SoftwareJohn Banks and Stuart Cunningham

Handbook on the Digital Creative Economy contains a rich set of insights that have emerged from a diverse and, in some cases, rapidly growing set of literatures and, as such, is a valuable research record of the scholarly ''state of play''.'--Journal of Cultural Economics'The digital creative economy is the new frontier in the economics of culture and this volume is the very best place to start in on that topic.'--Tyler Cowen, George Mason University, US'Two concepts that have become increasingly prominent in debate about contemporary economic policy are the digital economy and the creative economy. This pioneering Handbook brings these two concepts together, with contributions from a wide range of scholars in economics, law, cultural studies, media and communications. A particular focus of the volume is on copyright issues in the digital environment, especially in the audio-visual, publishing and media industries. This book provides an authoritative overview that will be essential reading for students, researchers and policy-makers working in this rapidly evolving field.'--David Throsby, Macquarie University, Australia

Edited by Ruth Towse, Professor of Economics of Creative Industries, CIPPM, Bournemouth University and CREATe Fellow in Cultural Economics, University of Glasgow, UK and Christian Handke, Assistant Professor of Cultural Economics, ESHCC, Erasmus University Rotterdam; Senior Researcher, IViR, University of Amsterdam, the Netherlands

• Contents:Introduction Christian Handke and Ruth TowsePART I: PERSPECTIVES ON DIGITIZATION IN THE CREATIVE ECONOMY1. General Purpose Technologies Cliff Bekar and Erin Haswell2. Reining in Those Unstoppably Rising CostsWilliam J. Baumol3 Evolutionary PerspectivesJason Potts4. Space and PlaceAndy C. Pratt5. Business ModelsNicola Searle and Gregor White6. Dynamic Competition and AmbidexterityHans van Kranenburg and Gerrit Willem Ziggers7. From Prosumption to ProdusageAxel Bruns8. Consumption PatternsKoen van Eijck and Max Majorana9. Digital DividePippa Norris and Ronald InglehartPART II: DEVELOPMENT OF TECHNOLOGIES IN THE CREATIVE ECONOMY10. Copying TechnologiesCliff Bekar11. Technological Change and Cultural ProductionPeter Tschmuck12. Media ConvergenceMichael Latzer13. Has Digitization Delivered? Fact and Fiction in Digital TV BroadcastingReza Tadayoni and Anders HentenPART III: POLICY AND COPYRIGHT ISSUES IN THE DIGITAL CREATIVE ECONOMY14. Cultural PolicyTerry Flew and Adam Swift15. Measuring the Creative EconomyPeter Goodridge16. International Trade in Audiovisual ProductsGillian Doyle17. Copyright LawPeter Di Cola18. Copyright Law and Royalty ContractsRichard Watt19. Copyright and Competition PolicyAriel Katz20. Collective Copyright ManagementReto M. Hilty and Sylvie Nérisson21. Copyright LeviesJoost PoortPART IV: COPYRIGHT AND DIGITIZATION: EMPIRICAL EVIDENCE22. Empirical Evidence on CopyrightChristian Handke23. Internet Piracy: The Estimated Impact on SalesStan J. Liebowitz24. Artists, Authors’ Rights and CopyrightKristín Atladottír, Martin Kretschmer and Ruth Towse25. New Opportunities for AuthorsJoëlle Farchy, Mathilde Gansemer and Jessica Petrou26. Orphan WorksFabian Homberg, Marcella Favale, Martin Kretschmer, Dinusha Mendis and Davide Secchi PART V: CREATIVE INDUSTRY STUDIES27. Performing ArtsRuth Towse28. Art MarketsPayal Arora and Filip Vermeylen29. MuseumsTrilce Navarrete30. PublishingPatrik Wikstrom and Anette Johansson31. eBook and Book PublishingJoëlle Farchy, Mathilde Gansemer and Jessica Petrou32. Academic Publishing and Open AccessFrank Müller-Langer and Marc Scheufen33. NewsPiet Bakker and Richard van der Wurff34. Digital MusicPatrick Waelbroek35. FilmPaul Stepan36. BroadcastingGlenn Withers37. Games and Entertainment SoftwareJohn Banks and Stuart Cunningham

Handbook on the Digital Creative Economy contains a rich set of insights that have emerged from a diverse and, in some cases, rapidly growing set of literatures and, as such, is a valuable research record of the scholarly ''state of play''.'--Journal of Cultural Economics'The digital creative economy is the new frontier in the economics of culture and this volume is the very best place to start in on that topic.'--Tyler Cowen, George Mason University, US'Two concepts that have become increasingly prominent in debate about contemporary economic policy are the digital economy and the creative economy. This pioneering Handbook brings these two concepts together, with contributions from a wide range of scholars in economics, law, cultural studies, media and communications. A particular focus of the volume is on copyright issues in the digital environment, especially in the audio-visual, publishing and media industries. This book provides an authoritative overview that will be essential reading for students, researchers and policy-makers working in this rapidly evolving field.'--David Throsby, Macquarie University, Australia

Edited by Ruth Towse, Professor of Economics of Creative Industries, CIPPM, Bournemouth University and CREATe Fellow in Cultural Economics, University of Glasgow, UK and Christian Handke, Assistant Professor of Cultural Economics, ESHCC, Erasmus University Rotterdam; Senior Researcher, IViR, University of Amsterdam, the Netherlands

• Contents:Introduction Christian Handke and Ruth TowsePART I: PERSPECTIVES ON DIGITIZATION IN THE CREATIVE ECONOMY1. General Purpose Technologies Cliff Bekar and Erin Haswell2. Reining in Those Unstoppably Rising CostsWilliam J. Baumol3 Evolutionary PerspectivesJason Potts4. Space and PlaceAndy C. Pratt5. Business ModelsNicola Searle and Gregor White6. Dynamic Competition and AmbidexterityHans van Kranenburg and Gerrit Willem Ziggers7. From Prosumption to ProdusageAxel Bruns8. Consumption PatternsKoen van Eijck and Max Majorana9. Digital DividePippa Norris and Ronald InglehartPART II: DEVELOPMENT OF TECHNOLOGIES IN THE CREATIVE ECONOMY10. Copying TechnologiesCliff Bekar11. Technological Change and Cultural ProductionPeter Tschmuck12. Media ConvergenceMichael Latzer13. Has Digitization Delivered? Fact and Fiction in Digital TV BroadcastingReza Tadayoni and Anders HentenPART III: POLICY AND COPYRIGHT ISSUES IN THE DIGITAL CREATIVE ECONOMY14. Cultural PolicyTerry Flew and Adam Swift15. Measuring the Creative EconomyPeter Goodridge16. International Trade in Audiovisual ProductsGillian Doyle17. Copyright LawPeter Di Cola18. Copyright Law and Royalty ContractsRichard Watt19. Copyright and Competition PolicyAriel Katz20. Collective Copyright ManagementReto M. Hilty and Sylvie Nérisson21. Copyright LeviesJoost PoortPART IV: COPYRIGHT AND DIGITIZATION: EMPIRICAL EVIDENCE22. Empirical Evidence on CopyrightChristian Handke23. Internet Piracy: The Estimated Impact on SalesStan J. Liebowitz24. Artists, Authors’ Rights and CopyrightKristín Atladottír, Martin Kretschmer and Ruth Towse25. New Opportunities for AuthorsJoëlle Farchy, Mathilde Gansemer and Jessica Petrou26. Orphan WorksFabian Homberg, Marcella Favale, Martin Kretschmer, Dinusha Mendis and Davide Secchi PART V: CREATIVE INDUSTRY STUDIES27. Performing ArtsRuth Towse28. Art MarketsPayal Arora and Filip Vermeylen29. MuseumsTrilce Navarrete30. PublishingPatrik Wikstrom and Anette Johansson31. eBook and Book PublishingJoëlle Farchy, Mathilde Gansemer and Jessica Petrou32. Academic Publishing and Open AccessFrank Müller-Langer and Marc Scheufen33. NewsPiet Bakker and Richard van der Wurff34. Digital MusicPatrick Waelbroek35. FilmPaul Stepan36. BroadcastingGlenn Withers37. Games and Entertainment SoftwareJohn Banks and Stuart Cunningham

Handbook on the Digital Creative Economy contains a rich set of insights that have emerged from a diverse and, in some cases, rapidly growing set of literatures and, as such, is a valuable research record of the scholarly ''state of play''.'--Journal of Cultural Economics'The digital creative economy is the new frontier in the economics of culture and this volume is the very best place to start in on that topic.'--Tyler Cowen, George Mason University, US'Two concepts that have become increasingly prominent in debate about contemporary economic policy are the digital economy and the creative economy. This pioneering Handbook brings these two concepts together, with contributions from a wide range of scholars in economics, law, cultural studies, media and communications. A particular focus of the volume is on copyright issues in the digital environment, especially in the audio-visual, publishing and media industries. This book provides an authoritative overview that will be essential reading for students, researchers and policy-makers working in this rapidly evolving field.'--David Throsby, Macquarie University, Australia