Hamlet after Deconstruction

Aneta Mancewicz is a Lecturer in Drama and Theatre at Royal Holloway, University of London, UK. Her research focuses on Shakespearean performance, digital technologies, and European theatre. She is the author of Intermedial Shakespeares on European Stages (Palgrave Macmillan, 2014) and Biedny Hamlet [Poor Hamlet] (2010). She also co-edited two collections of essays: Intermedial Performance and Politics in the Public Sphere and Local and Global Myths in Shakespearean Performance, both published by Palgrave Macmillan in 2018. As an associate dramaturg, she supported mixed reality adaptations of Shakespeare, such as CREW’s Hamlet (2017 and 2018) and Nexus Studios’ The Tempest (2020).

• Chapter 1. Introduction.- Part I. Supplements of Action.- Chapter 2. Supplement.- Chapter 3. Rosencrantz and Guildenstern are Dead, Tom Stoppard.- Chapter 4. Ophelias Zimmer, Alice Birch and Katie Mitchell.- Chapter 5. Fortinbras Gets Drunk, Janusz Głowacki.- Part II. Différance: Machines and Mixed Realities.- Chapter 6. Différance.- Chapter 7. The Hamletmachine, Heiner Müller.- Chapter 8. Hamlet’s Lunacy, CREW.- Part III. Traces of Hamlet.- Chapter 9. Trace.- Chapter 10. Kitsch Hamlet, Saverio La Ruina.- Chapter 11. Factory, Igor Bauersima.- Chapter 12. Conclusion.