Clare Finburgh is Reader in European Theatre at Goldsmiths College, UK.Peter M. Boenisch is Professor of Dramaturgy at Aarhus University, Denmark.

• List of FiguresNotes on Contributors AcknowledgementsIntroduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)Introduction to Volume 6: A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century, Peter M. Boenisch (Aarhus University, Denmark) and Clare Finburgh (Goldsmiths College, UK)Joan Littlewood1. Joan Littlewood, Rebel With a Cause: Opening New Directions in British Theatre, Danielle Merahi (theatre director and translator, France)2. Señora Littlewood’s Rifles: Joan Littlewood and the Leftist Tradition in British Twentieth-Century Theatre, Robert Leach (independent scholar, UK)Giorgio Strehler3. Giorgio Strehler: The Epic Stage Director Who Betrayed Brecht, Bent Holm (independent scholar, Denmark) 4. A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent, Margherita Laera (University of Kent, UK)Roger Planchon5. ‘Theatre’s Beauty is its Death’: Reflections on Working with Roger Planchon, Michel Bataillon (Maison Antoine Vitez, France)6. Approaching Brecht – Documenting Planchon: Roger Planchon’s Three Stagings of The Good Person of Szechwan, Pia Kleber (University of Toronto, Canada)NotesBibliographyIndex

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Clare Finburgh is Reader in European Theatre at Goldsmiths College, UK.Peter M. Boenisch is Professor of Dramaturgy at Aarhus University, Denmark.

• List of FiguresNotes on Contributors AcknowledgementsIntroduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)Introduction to Volume 6: A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century, Peter M. Boenisch (Aarhus University, Denmark) and Clare Finburgh (Goldsmiths College, UK)Joan Littlewood1. Joan Littlewood, Rebel With a Cause: Opening New Directions in British Theatre, Danielle Merahi (theatre director and translator, France)2. Señora Littlewood’s Rifles: Joan Littlewood and the Leftist Tradition in British Twentieth-Century Theatre, Robert Leach (independent scholar, UK)Giorgio Strehler3. Giorgio Strehler: The Epic Stage Director Who Betrayed Brecht, Bent Holm (independent scholar, Denmark) 4. A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent, Margherita Laera (University of Kent, UK)Roger Planchon5. ‘Theatre’s Beauty is its Death’: Reflections on Working with Roger Planchon, Michel Bataillon (Maison Antoine Vitez, France)6. Approaching Brecht – Documenting Planchon: Roger Planchon’s Three Stagings of The Good Person of Szechwan, Pia Kleber (University of Toronto, Canada)NotesBibliographyIndex

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Clare Finburgh is Reader in European Theatre at Goldsmiths College, UK.Peter M. Boenisch is Professor of Dramaturgy at Aarhus University, Denmark.

• List of FiguresNotes on Contributors AcknowledgementsIntroduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)Introduction to Volume 6: A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century, Peter M. Boenisch (Aarhus University, Denmark) and Clare Finburgh (Goldsmiths College, UK)Joan Littlewood1. Joan Littlewood, Rebel With a Cause: Opening New Directions in British Theatre, Danielle Merahi (theatre director and translator, France)2. Señora Littlewood’s Rifles: Joan Littlewood and the Leftist Tradition in British Twentieth-Century Theatre, Robert Leach (independent scholar, UK)Giorgio Strehler3. Giorgio Strehler: The Epic Stage Director Who Betrayed Brecht, Bent Holm (independent scholar, Denmark) 4. A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent, Margherita Laera (University of Kent, UK)Roger Planchon5. ‘Theatre’s Beauty is its Death’: Reflections on Working with Roger Planchon, Michel Bataillon (Maison Antoine Vitez, France)6. Approaching Brecht – Documenting Planchon: Roger Planchon’s Three Stagings of The Good Person of Szechwan, Pia Kleber (University of Toronto, Canada)NotesBibliographyIndex

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