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Great European Stage Directors Volume 6

Littlewood, Strehler, Planchon

Häftad, Engelska, 2024

AvClare Finburgh Delijani,Peter M. Boenisch,UK) Delijani, Dr Clare Finburgh (Goldsmiths University,Denmark) Boenisch, Professor Peter M. (Aarhus University,Peter M Boenisch,Simon Shepherd

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This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these three directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged ‘directors’ theatre’. It argues that, in creating their major productions in the prosperous ‘glorious decades’ that followed the devastation of the Second World War, they represent a first expressly ‘European’ generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.

Produktinformation

Utgivningsdatum2024-04-18
Mått154 x 232 x 14 mm
Vikt388 g
FormatHäftad
SpråkEngelska
SerieGreat Stage Directors
Antal sidor248
FörlagBloomsbury Publishing PLC
ISBN9781350445826

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List of FiguresNotes on Contributors AcknowledgementsIntroduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)Introduction to Volume 6: A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century, Peter M. Boenisch (Aarhus University, Denmark) and Clare Finburgh (Goldsmiths College, UK)Joan Littlewood1. Joan Littlewood, Rebel With a Cause: Opening New Directions in British Theatre, Danielle Merahi (theatre director and translator, France)2. Señora Littlewood’s Rifles: Joan Littlewood and the Leftist Tradition in British Twentieth-Century Theatre, Robert Leach (independent scholar, UK)Giorgio Strehler3. Giorgio Strehler: The Epic Stage Director Who Betrayed Brecht, Bent Holm (independent scholar, Denmark) 4. A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent, Margherita Laera (University of Kent, UK)Roger Planchon5. ‘Theatre’s Beauty is its Death’: Reflections on Working with Roger Planchon, Michel Bataillon (Maison Antoine Vitez, France)6. Approaching Brecht – Documenting Planchon: Roger Planchon’s Three Stagings of The Good Person of Szechwan, Pia Kleber (University of Toronto, Canada)NotesBibliographyIndex