Graffiti and Street Art

Konstantinos Avramidis is a PhD candidate in Architecture by Design at the University of Edinburgh, UK.Myrto Tsilimpounidi is a Marie Curie Researcher at the Institute of Sociology, Bratislava, Slovakia.

• List of FiguresNotes on ContributorsAcknowledgementsINTRODUCTIONGraffiti and Street Art: Reading, Writing and Representing the CityKonstantinos Avramidis and Myrto TsilimpounidiPART I: Reading Graffiti, Street Art and the City Graffiti, Street Art and the Dialectics of the CityJeff Ferrell Art or Crime or Both at the Same Time? On the Ambiguity of Images in Public SpaceAlison Young Reading Between the [Plot] Lines: Framing Graffiti as Multimodal PracticeSamantha Edwards-Vandenhoek Interviewing Walls: Towards a Method of Reading Hybrid Surface InscriptionsSabina Andron Graffiti, Street Art and the Democratic CityKurt Iveson PART II: Writing Graffiti, Street Art and the City Street Art is a Period, PERIOD: Or, Classificatory Confusion and Intermural ArtRafael Schacter Expressive Measures: An Ecology of the Public DomainAndrea Mubi Brighenti Dead Ends and Urban Insignias: Writing Graffiti and Street Art (Hi)Stories along the U.N. Buffer Zone in Nicosia, 2010-2014Panos Leventis The December 2008 Uprising’s Stencil Images in Athens: Writing or Inventing Traces of the Future?Stavros Stavrides Repetitive Repertoires: How Writing about Cairene Graffiti has Turned into a Serial MonotonyMona Abaza PART III: Representing Graffiti, Street Art and the City São Paulo’s Pixação and Street Art: Representations of or Responses to Brazilian Modernism?Alexander Lamazares Defensible Aesthetics: Creative Resistance to Urban Policies in Ottawa Deborah Landry #Instafame: Aesthetics, Audiences, DataLachlan MacDowall Representations of Graffiti and the City in the Novel El francotirador paciente: Readings of the Emergent Urban Body in MadridStephen Luis Vilaseca Long Live the Tag: Representing the Foundations of GraffitiGregory SnyderIndex

'This essay collection yields illuminating insights into graffiti and its close cousin street art. With a globally-diverse range of sites, and contributions from leading academics, this is essential reading for anyone wishing to better understand one of the most distinctive features of 21st century urbanism.' - Iain Borden, University College London, U.K'With contributions by authors from diverse geographical and disciplinary backgrounds, this book pushes for new ways to understand, study and write about graffiti and street art. In doing so, this volume constitutes an important step towards breaking down disciplinary boundaries and establishing street art studies as a multifaceted academic discipline in its own right.' - Peter Bengtsen, Lund University, Sweden'Graffiti and Street Art is a competent book, covering important, diverse and emerging issues in the field of graffiti and street art. Chapters are written by both well known scholars of the subject and emerging voices in the field. The interdisciplinary nature of the book, along with the fact it theoretically explores unexamined subjects such as graffiti in online environments, and its geographical coverage of underexplored urban contexts (e.g., São Paulo, Athens, Nicosia) is worth noting.' - Jeffrey Ian Ross, University of Baltimore, U.S.A