L. Andrew Cooper is assistant professor of Film and Digital Media at the University of Louisville, Kentucky. His work has appeared in The Quarterly Review of Film and Video and Gothic Studies. His co-edited anthology targeted for composition classes, Monsters, appeared in summer 2012, and his next book, Dario Argento, is scheduled to appear in November 2012. Visit his website at www.landrewcooper.com.

• Table of ContentsAcknowledgmentsIntroductionBad Influences and Gothic Realities      Part One: Gothic Threats      1. The Threat in the Gothic’s Foundation: From John Locke to Horace Walpole      2. Gothic Threats and Cultural Hierarchy: The Critical Evaluation of The Monk and The Mysteries of Udolpho      Part Two: Gothic Sexualities      3. Pathological Reproduction: The Emergence of Homosexuality through Nineteenth Century Gothic Fiction      4. Romps in the Closet: The Persistence of Nineteenth Century Notions in Contemporary Pop Culture      Part Three: Gothic Ghosts      5. Ghost Stories and Ghostly Belief: Conventional Horrors That Make Good Truths      6. Ghost Epistemology: Five or Six Ways to Haunt the Senses      Part Four: Gothic Violence      7. Fictions That Kill: Columbine, Virginia Tech, and Stephen King’s Only Out-of-Print Novel      8. Violent Self-Reflection: Natural Born Killers, Wes Craven’s Nightmares, and Torture Porn      Chapter Notes      Selected Bibliography      Index

“astutely explores the ways that original fears regarding the corrupting influence of eighteenth-century Gothic texts continue to resurface in modern works and real life occurrences of horror.... Sophisticated and engaging from the start, Cooper’s prose style makes for a lucid and enjoyable read”—Gothic Studies; “this book is both useful and provocative”—Journal of the Fantastic in the Arts; “Gracefully written...worth reading...valuable...a book that belongs on the shelves of anyone who is interested in the Gothic, in film studies, and in cultural studies as well as on the shelves of people who enjoy a well crafted argument.”—Carol Senf, professor/associate chair Georgia Tech’s School of Literature, Communication, and Culture. Author of The Vampire in Nineteenth Century English Literature and Science and Social Science in Bram Stoker’s Fiction.