Gone Dollywood

Graham Hoppe writes about culture and history with a focus on food and music. He is a graduate of the folklore program at the University of North Carolina at Chapel Hill. Gone Dollywood is his first book. Raised in Indianapolis, Graham currently lives and works in Raleigh, North Carolina.

"Different from other works on Dollywood, Hoppe's volume is neither a tour guide nor a Parton biography—readers looking for such will be disappointed. Instead, he deftly examines the culture of Appalachia, specifically in East Tennessee, how it fits in with the greater Southern story (or not), and how all of this together with Parton's genuineness overflow into Dollywood, creating an attraction that makes thousands of people a year feel at home whether they are from the South or not." (Library Journal) "More than just a book about an amusement park, or its celebrity sponsor, this slim volume covers a lot of ground.… [Gone Dollywood] is written in a very accessible style.…This book would be an excellent purchase for public and other libraries in Tennessee, and for anyone with an interest in Appalachia." (Tennessee Libraries) "Hoppe's profile of [Dollywood] is a quirky contribution to the lore and legend of Parton." (The Weekly Standard) "Graham Hoppe's Gone Dollywood places Dolly Parton's theme park, persona, and career within a broader history of the collisions of fact and fantasy, folk and celebrity, and art and commerce that have buffeted the Tennessee mountains Dolly calls home. Like Parton herself, the book is disarmingly open and friendly on its surface, with an impressive core of smart and savvy." "Gone Dollywood is a landmark study. Graham Hoppe eloquently explains why Dollywood draws thousands of visitors each year and captures East Tennessee worlds in significant ways. This fine book, like Dolly Parton, will touch the heart of its readers." "With an engaging and singular voice, Hoppe shows us just how Dollywood reflects, shapes, and challenges stereotypes of Appalachia, hillbillies, and country music, leading readers to understand Dollywood as an indispensable point of departure for broader conversations about gender, race, and class."