Selima Hill grew up in a family of painters in farms in England and Wales, and has lived in Dorset for the past 35 years. She received a Cholmondeley Award in 1986, and was a Royal Literary Fund Fellow at Exeter University in 2003-06. She won first prize in the Arvon International Poetry Competition with part of The Accumulation of Small Acts of Kindness (1989), one of several extended sequences in Gloria: Selected Poems (Bloodaxe Books, 2008), which also includes work from Saying Hello at the Station (1984), My Darling Camel (1988), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK’s major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award, was a Poetry Book Society Choice and was also shortlisted for the T.S. Eliot Prize. Lou-Lou and The Hat were Poetry Book Society Recommendations. Her most recent collections from Bloodaxe are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), a Poetry Book Society Special Commendation which was shortlisted for the 2015 T.S. Eliot Prize and was earlier shortlisted for the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize 2017; and Splash like Jesus (2017). Her 19th collection, I May Be Stupid But I'm Not That Stupid, was published by Bloodaxe in 2019.

'Wayward, funny, terrifying. Her writing scintillates with hatred, love and absurd insights.'- Gillian Beer, Financial Times 'Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine - Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess.' - Deryn Rees-Jones, Modern Women Poets 'Every page reveals her unique ability to invert the world and shake it, until it reveals its truth.' - Kathleen Jamie & Maurice Riordan, PBS Bulletin 'Brilliant mischief' - Independent 'She is truly gifted. She invests mundane things with visionary, delirious brilliance.' - Graham Swift, Sunday Times 'Hill is a unique voice in British poetry, handling central subjects with wit, great metaphorical beauty, and deep clarity. Her two most characteristic features, the off-the- wall images and no-holds-barred straight talk, work flawlessly together.' - Ruth Padel & Sean O'Brien, PBS Bulletin

Selima Hill grew up in a family of painters in farms in England and Wales, and has lived in Dorset for the past 35 years. She received a Cholmondeley Award in 1986, and was a Royal Literary Fund Fellow at Exeter University in 2003-06. She won first prize in the Arvon International Poetry Competition with part of The Accumulation of Small Acts of Kindness (1989), one of several extended sequences in Gloria: Selected Poems (Bloodaxe Books, 2008), which also includes work from Saying Hello at the Station (1984), My Darling Camel (1988), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK’s major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award, was a Poetry Book Society Choice and was also shortlisted for the T.S. Eliot Prize. Lou-Lou and The Hat were Poetry Book Society Recommendations. Her most recent collections from Bloodaxe are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), a Poetry Book Society Special Commendation which was shortlisted for the 2015 T.S. Eliot Prize and was earlier shortlisted for the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize 2017; and Splash like Jesus (2017). Her 19th collection, I May Be Stupid But I'm Not That Stupid, was published by Bloodaxe in 2019.

'Wayward, funny, terrifying. Her writing scintillates with hatred, love and absurd insights.'- Gillian Beer, Financial Times 'Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine - Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess.' - Deryn Rees-Jones, Modern Women Poets 'Every page reveals her unique ability to invert the world and shake it, until it reveals its truth.' - Kathleen Jamie & Maurice Riordan, PBS Bulletin 'Brilliant mischief' - Independent 'She is truly gifted. She invests mundane things with visionary, delirious brilliance.' - Graham Swift, Sunday Times 'Hill is a unique voice in British poetry, handling central subjects with wit, great metaphorical beauty, and deep clarity. Her two most characteristic features, the off-the- wall images and no-holds-barred straight talk, work flawlessly together.' - Ruth Padel & Sean O'Brien, PBS Bulletin

Selima Hill grew up in a family of painters in farms in England and Wales, and has lived in Dorset for the past 35 years. She received a Cholmondeley Award in 1986, and was a Royal Literary Fund Fellow at Exeter University in 2003-06. She won first prize in the Arvon International Poetry Competition with part of The Accumulation of Small Acts of Kindness (1989), one of several extended sequences in Gloria: Selected Poems (Bloodaxe Books, 2008), which also includes work from Saying Hello at the Station (1984), My Darling Camel (1988), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK’s major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award, was a Poetry Book Society Choice and was also shortlisted for the T.S. Eliot Prize. Lou-Lou and The Hat were Poetry Book Society Recommendations. Her most recent collections from Bloodaxe are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), a Poetry Book Society Special Commendation which was shortlisted for the 2015 T.S. Eliot Prize and was earlier shortlisted for the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize 2017; and Splash like Jesus (2017). Her 19th collection, I May Be Stupid But I'm Not That Stupid, was published by Bloodaxe in 2019.

'Wayward, funny, terrifying. Her writing scintillates with hatred, love and absurd insights.'- Gillian Beer, Financial Times 'Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine - Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess.' - Deryn Rees-Jones, Modern Women Poets 'Every page reveals her unique ability to invert the world and shake it, until it reveals its truth.' - Kathleen Jamie & Maurice Riordan, PBS Bulletin 'Brilliant mischief' - Independent 'She is truly gifted. She invests mundane things with visionary, delirious brilliance.' - Graham Swift, Sunday Times 'Hill is a unique voice in British poetry, handling central subjects with wit, great metaphorical beauty, and deep clarity. Her two most characteristic features, the off-the- wall images and no-holds-barred straight talk, work flawlessly together.' - Ruth Padel & Sean O'Brien, PBS Bulletin