Angelica Duran is professor of English, comparative literature, and religious studies at Purdue University.Mario Murgia is professor of English literature at the National Autonomous University of Mexico.

• Part I: PanoramasChapter 1. An Introduction: Things VisibleAngelica Duran and Mario MurgiaChapter 2. “More Worlds . . . Other Worlds . . . New Worlds”: Translation / Illustration / Paradise LostJoseph WittreichPart II: CameosChapter 3. Doré’s Paradise Lost and Ukiyo-e PrintsHiroko SanoChapter 4. Doré’s Illustrations with Cromos in El Paraíso perdidoAngelica DuranChapter 5. Paradise Lost in Music VideosAna Elena González-TreviñoPart III: Textual Close-upsChapter 6. Author Portraits of Milton, Authorship, and CanonizationNathalie ColléChapter 7. “Delectable to Behold”: Milton’s Eve in the Artist’s GazeWendy Furman-AdamsChapter 8. Gender, Nature, and Desire in Dalí’s Paradise LostJoshua ReidChapter 9. Paradise Lost as (Hispanic) Graphic NovelMario MurgiaPart IV: A Prospect beyond BooksChapter 10. How Milton’s Rebel Angels Landed in MexicoGabriela VillanuevaChapter 11. The Milton Shield, Paradise Lost, and the 1867 Exposition universe

The 15 essays in Global Milton and Visual Art share a concern with the way that the illustrations accompanying Milton’s Paradise Lost have contributed to an evolving understanding of the poem and helped to establish it as a work of global literature. The contributors address a wide variety of topics…. The physical book includes some 100 grayscale figures, ten of which are also illustrated by higher-quality color plates. The eBook links to 70 additional digital images, which are available on the Rowman & Littlefield website. Extensive notes and a bibliography follow each chapter, the writing is jargon-free and accessible, and the index is comprehensive. An interesting resource for advanced scholars. Recommended. Ambitious upper-division undergraduates, graduate students, researchers, faculty.