Gary D. Rawnsley is currently Professor of Asian International Communications at the Institute of Communications Studies, University of Leeds, UK. Ming-Yeh T. Rawnsley is Research Fellow at the Institute of Communications Studies, University of Leeds, UK. Their most recent jointly edited publications include Political Communications in Greater China: The Construction and Reflection of Identity (also published by Routledge) and Critical Security, Democratisation and Television in Taiwan.

• Part I: Changing Discourse of National Identities and Heroism 1. The Political Narrative(s) of Hero - Gary D. Rawnsley 2. Recycled Heroes, Invented Tradition and Transformed Identity - Yingjie Guo 3. The Emperor and the Assassin: China’s National Hero and the Myth of State Origins - Yiyan Wang 4. The King, the Musician and the Village Idiot: Images of Manhood - Kam Louie Part II: Transformations of Cultural Perception, Genre and Stardom 5. Twenty-first Century Women Warriors: Variations on a Traditional Theme - Louise Edwards 6. On ‘Tian Xia (All under Heaven)’ in Zhang Yimou’s Hero - Xiaoming Chen and Ming-Yeh T. Rawnsley 7. Hero: Rewriting the Chinese Martial Arts Film Genre - Haizhou Wang and Ming-Yeh T. Rawnsley 8. ‘Would You Rather Spend More Time Making Serious Cinema?’: Hero and Tony Leung’s Polysemic Masculinity - Mark Gallagher 9. Fifteen Minutes of Fame: Transient/Transnational Female Stardom in Hero - Olivia Khoo Part III: Local vs. Global: Deconstructing Global Chinese Blockbusters 10. Camp Pleasure in an Era of Chinese Blockbusters: Internet Reception of Hero in Mainland China - Sabrina Qiong Yu 11. North American Reception of Zhang Yimou’s Hero - Wendy Larson 12. Heroic Music: From Hunan to Hollywood and Back - Katy Gow 13. Visual Effects Magic: Hero’s Sydney Connection - Mary Farquhar 14.Towards a Global Blockbuster: The Political Economy of Hero’s Nationalism - Anthony Fung and Joseph M. Chan

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Gary D. Rawnsley is currently Professor of Asian International Communications at the Institute of Communications Studies, University of Leeds, UK. Ming-Yeh T. Rawnsley is Research Fellow at the Institute of Communications Studies, University of Leeds, UK. Their most recent jointly edited publications include Political Communications in Greater China: The Construction and Reflection of Identity (also published by Routledge) and Critical Security, Democratisation and Television in Taiwan.

• Part I: Changing Discourse of National Identities and Heroism 1. The Political Narrative(s) of Hero - Gary D. Rawnsley 2. Recycled Heroes, Invented Tradition and Transformed Identity - Yingjie Guo 3. The Emperor and the Assassin: China’s National Hero and the Myth of State Origins - Yiyan Wang 4. The King, the Musician and the Village Idiot: Images of Manhood - Kam Louie Part II: Transformations of Cultural Perception, Genre and Stardom 5. Twenty-first Century Women Warriors: Variations on a Traditional Theme - Louise Edwards 6. On ‘Tian Xia (All under Heaven)’ in Zhang Yimou’s Hero - Xiaoming Chen and Ming-Yeh T. Rawnsley 7. Hero: Rewriting the Chinese Martial Arts Film Genre - Haizhou Wang and Ming-Yeh T. Rawnsley 8. ‘Would You Rather Spend More Time Making Serious Cinema?’: Hero and Tony Leung’s Polysemic Masculinity - Mark Gallagher 9. Fifteen Minutes of Fame: Transient/Transnational Female Stardom in Hero - Olivia Khoo Part III: Local vs. Global: Deconstructing Global Chinese Blockbusters 10. Camp Pleasure in an Era of Chinese Blockbusters: Internet Reception of Hero in Mainland China - Sabrina Qiong Yu 11. North American Reception of Zhang Yimou’s Hero - Wendy Larson 12. Heroic Music: From Hunan to Hollywood and Back - Katy Gow 13. Visual Effects Magic: Hero’s Sydney Connection - Mary Farquhar 14.Towards a Global Blockbuster: The Political Economy of Hero’s Nationalism - Anthony Fung and Joseph M. Chan

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Gary D. Rawnsley is currently Professor of Asian International Communications at the Institute of Communications Studies, University of Leeds, UK. Ming-Yeh T. Rawnsley is Research Fellow at the Institute of Communications Studies, University of Leeds, UK. Their most recent jointly edited publications include Political Communications in Greater China: The Construction and Reflection of Identity (also published by Routledge) and Critical Security, Democratisation and Television in Taiwan.

• Part I: Changing Discourse of National Identities and Heroism 1. The Political Narrative(s) of Hero - Gary D. Rawnsley 2. Recycled Heroes, Invented Tradition and Transformed Identity - Yingjie Guo 3. The Emperor and the Assassin: China’s National Hero and the Myth of State Origins - Yiyan Wang 4. The King, the Musician and the Village Idiot: Images of Manhood - Kam Louie Part II: Transformations of Cultural Perception, Genre and Stardom 5. Twenty-first Century Women Warriors: Variations on a Traditional Theme - Louise Edwards 6. On ‘Tian Xia (All under Heaven)’ in Zhang Yimou’s Hero - Xiaoming Chen and Ming-Yeh T. Rawnsley 7. Hero: Rewriting the Chinese Martial Arts Film Genre - Haizhou Wang and Ming-Yeh T. Rawnsley 8. ‘Would You Rather Spend More Time Making Serious Cinema?’: Hero and Tony Leung’s Polysemic Masculinity - Mark Gallagher 9. Fifteen Minutes of Fame: Transient/Transnational Female Stardom in Hero - Olivia Khoo Part III: Local vs. Global: Deconstructing Global Chinese Blockbusters 10. Camp Pleasure in an Era of Chinese Blockbusters: Internet Reception of Hero in Mainland China - Sabrina Qiong Yu 11. North American Reception of Zhang Yimou’s Hero - Wendy Larson 12. Heroic Music: From Hunan to Hollywood and Back - Katy Gow 13. Visual Effects Magic: Hero’s Sydney Connection - Mary Farquhar 14.Towards a Global Blockbuster: The Political Economy of Hero’s Nationalism - Anthony Fung and Joseph M. Chan

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