Giorgio Agamben

KEVIN ATTELL is Associate Professor of English at Cornell University. He is the translator of The Open: Man and Animal and State of Exception and co-translator of The Signature of All Things by Giorgio Agamben.

• Introduction: An Esoteric Dossier Part One: First Principles 1. Agamben and Derrida Read Saussure Overture: "Before the Law" Semiology and Saussure Semiology and the Sphinx 2. "The Human Voice" Introduction to Origin of Geometry Speech and Phenomena Infancy and History Excursus: Agamben and Derrida Read Benveniste Language and Death 3. Potenza and Differance Dunamis and Energeia Dunamis and Adunamia Writing and Potentiality Part Two: Strategy without Finality or Means without End 4. Sovereignty, Law, and Violence Abandoning the Logic of the Ban Means and Ends: Reading the "Critique of Violence" 5. Ticks and Cats Machines Bios and Zoe Heidegger and the Animal 6. A Matter of Time Prophet or Apostle Nun, jetzt Aufhebung Messianic Nun, jetzt Aufhebung Messianic

"In this impressive book, Kevin Attell changes our understanding of Giorgio Agamben. From now on we will have to see Agamben's work, from the very beginning, as in dialogue with Derrida. As a result an important thinker becomes still more significant to the shape of contemporary European theory." -- -Simon During University of Queensland "Giorgio Agamben: Beyond the Threshold of Deconstruction is an enormously ambitious book covering the breadth of Giorgio Agamben's writings, from his earliest work on potentiality and discourse up through his later political and theological writings. Attell's interpretations, informed by vast philosophical erudition, presenting independent interpretations of all the texts that he treats, are paradigms for work on theory. This is one of the highest caliber works of theory or continental philosophy to appear in a long time." -- -Joshua Kates Indiana University "This remarkably rigorous, lucid, and open-minded study details the important differences between Agamben and Derrida, something many would regard as minor variants in a similarly deconstructive model, but which Derrida's late seminars on The Beast and the Sovereign affirm to be profound. Attell meticulously traces the trajectories of Derrida's and Agamben's careers, demonstrating in an elegant and textually based fashion the incisive nature of Agamben's engagement with Derrida, how so many of Agamben's major themes-potentiality, sovereignty, ban, messianic time, play and profanation, and the animal-could be considered as critical, indeed polemical, responses to Derrida's philosophical project. The strong distinction between Agamben's and Derrida's (and Benjamin's and Schmitt's) notions of messianic time is particularly dazzling." -- -Eleanor Kaufman University of California, Los Angeles