Gilles Deleuze and Film Criticism

Philosophy, Theory, and the Individual Film

Häftad, Engelska, 2024

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This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze’s work on cinema.

Produktinformation

Utgivningsdatum2024-08-08
Mått148 x 210 x 13 mm
Vikt311 g
FormatHäftad
SpråkEngelska
SeriePalgrave Film Studies and Philosophy
Antal sidor221
Upplaga2023
FörlagSpringer International Publishing AG
ISBN9783031333071

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Dominic Lash is the author of The Cinema of Disorientation: Inviting Confusions (2020) and Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism (2022). He has taught film at many institutions, including the universities of Bristol and Oxford, and has published in journals such as Screen; Movie: A Journal of Film Criticism; Film and Philosophy; and Film-Philosophy.Hoi Lun Law is Teaching Fellow in Film Studies at the University of Edinburgh, UK. He is the author of Ambiguity and Film Criticism: Reasonable Doubt (2021).

1. Introduction.- 2. Part 1: Perspectives on Method.- 2. What does Deleuze do when he does film criticism?.- 3. Deleuze and the film in his Mind.- Part 2: Criticism, Philosophy, Theory.- 4. Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinema.- 5. “Very Slight Differences”: Deleuze and the Aesthetics of Cinematic Motion.- 6. . “Something Possible, Otherwise I Will Suffocate”: A Marginal Reading of Chapter 7, Section 2 of Deleuze's The Time-Image.- Part 3: Films and Filmmakers.- 7. Banish All the World: Deleuze on Chimes at Midnight.- 8. Donen and Minnelli: An Exchange of Energies.- 9. Deleuze and Fellini: And the Ship Sails On. 10. Hypnosis-images: indiscernibility and hypnotic agency in Gilles Deleuze's Heart of Glass.