Geographies of Violence

Marcus Doel is Professor of Human Geography at Swansea University in Wales, where he is also the Deputy Pro-Vice-Chancellor for Research and Innovation, and the Co-Director of the Centre for Urban Theory. Marcus is an alumnus of the University of Bristol, and held positions at Liverpool John Moores University and Loughborough University in England prior to his move to Swansea University in 2000. He is the author of Postculturalist Geographies: The Diabolical Art of Spatial Science (Rowan and Littlefield, Edinburgh University Press), the co-author of Writing the Rural: Five Cultural Geographies (Sage), and the co-editor of Jean Baudrillard: Fatal Theories (Routledge), Moving Pictures/ Stopping Places: Hotels and Motels on Film (Lexington books), and The Consumption Reader (Routledge) amongst other works. Marcus has written and lectured widely on critical human geography, social and spatial theory and post-structuralism, and he has published over 100 articles and book chapters in the related fields.

• The Joy of KillingChapter 1: The Best of All Possible ViolenceChapter 2: Once Upon a Time, Long, Long AgoChapter 3: Pre-Industrial Mass KillingChapter 4: The European Way of WarChapter 5: Enlightened KillingChapter 6: The Animal Slaughter IndustryChapter 7: The Human Slaughter IndustryChapter 8: Weaponized AirChapter 9: Atmospheric TerrorismChapter 10: Black MeteorologyChapter 11: Firestorms and Corpse MinesChapter 12: Capital PunishmentChapter 13: The Business of GenocideStill Dead Certain

"Do not read this book.  Experience it.  Never before has such analytical power and narrative brilliance been applied to a subject so universally obscured and evaded -- the endlessly violent geographies of killing times, of killing spaces, of the ruthless efficiencies of optimal, optimized evil.  Doel sets out to hit us in the face and the stomach with the myriad horrors of our world, our lives and deaths, and no reader will ever be quite the same after this breathtaking journey through genocides, gulags, and incinerated cities.  This is powerful cognitive crystal meth, a stunning work of apocalyptic beauty and catastrophic grace."