Del i serien Clemson University Press: Studies in British Musical Cultures

Gentleman Dancing-Master

Mr Isaac and the English Royal Court from Charles II to Queen Anne

Inbunden, Engelska, 2024

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The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne is a study of the life of the most significant dancing-master at the late-Stuart court in London. It discusses his use of dance music and brings together, for the first time, reprints of the notations of all his twenty-three surviving dances created for performance at court in the presence of the monarch, including several created to celebrate the birthdays of Queen Anne or named after important courtiers or political events. This study highlights the significance of dance as a central part of court culture, and also the wider context of the London book trade within which Isaac’s notators turned his dances into a publishable form ultimately taken over by John Walsh’s music publishing firm. Using extensive archival and printed sources from his day, the book follows Isaac’s career as a dancer, teacher, and choreographer of sophisticated duets in the fashionable French style, some of which were also performed in the theatre. Isaac, however, was no slavish follower of French fashion, and by careful consideration of the extant dances from the point of view of a dancer, this study also seeks to throw light on Isaac’s often individualistic approach to choreography.

Produktinformation

Utgivningsdatum2024-04-28
Mått163 x 239 x undefined mm
FormatInbunden
SpråkEngelska
SerieClemson University Press: Studies in British Musical Cultures
Antal sidor472
FörlagClemson University Digital Press
ISBN9781638040958

Tillhör följande kategorier

Dansböcker inom Kultur
Musikhistoria inom Kultur

Jennifer Thorp is a former dancer and dance historian specialising in late-seventeenth and eighteenth century dance for court and theatre, with particular reference to London-based dancing-masters. She is currently investigating the printing and distribution of Kellom Tomlinson’s treatise, The Art of Dancing (London, 1735) and its exquisite copperplate illustrations, together with ongoing research on the career of Anthony L’Abbé (c. 1667 ̶ c. 1753), theatrical choreographer and dancing-master to members of the royal family in early-Hanoverian London. Jennifer is the co-organiser, with Professor Michael Burden, of the now well-established annual Oxford Dance Symposium, held at New College Oxford.

Acknowledgements Preface Editorial Note List of figures PART ONE: ISAAC’S LIFE AND CAREER 1. A DYNASTY OF DANCERS 2. ISAAC THE PERFORMER 3. “THE HONOUR TO TEACH AND INSTRUCT”: ISAAC THE DANCING MASTER 4. “A TIME OF GREAT TURMOIL”: ISAAC AND RECUSANCY 5. CHANGING TIMES AND ISAAC’S LAST YEARS PART TWO: ISAAC’S DANCES 6. DANCES FOR THE ROYAL COURT: THE CONTEXT 7. “ENGRAVEN IN CHARACTERS AND FIGURES FOR THE USE OF MASTERS”: ISAAC’S NOTATORS AND PUBLISHERS 8. ISAAC’S EXTANT DANCES: MUSIC AND NOTATIONS 9. ISAAC’S CHOREOGRAPHIC STYLE 10. “AN EQUAL RIGHT TO UNIVERSAL FAME”: ISAAC’S LEGACY TO DANCE PART THREE: SUMMARY CATALOGUE AND FACSIMILES OF ISAAC’S DANCES Index

‘The Gentleman Dancing Master is a comprehensive and valuable contribution to dance scholarship, and a delight to read or re-read. It is a handsome volume, clearly laid out; Thorp and her publisher have made astute choices about paper, fonts, and so on. Dance notations – a bit less than half the volume – are clean and legible. This book will be a welcome addition to anyone’s library.’Ken Pierce, Historical Dance