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Codell, Julie F. Codell - Genre, Gender, Race and World Cinema, Häftad

Häftad, Engelska, 2006

Genre, Gender, Race and World Cinema

An Anthology

Av Codell, Julie F. Codell

769 kr

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Beskrivning
Genre, Gender, Race, and World Cinema is an innovative anthology that introduces the study of film theory using the four topics of genre, gender, race, and world cinema, to encourage critical discussion. A major anthology geared towards course use, which covers key concepts in film studies through analysis of important films from American, Asian, European and African cinemaCombines formal, historical, cultural, and theoretical approaches to studyAnalyzes how film represents and influences individual and societal constructs of identityUses selected readings to introduce inter-textual relations between the readings and the films they discussContains section introductions that map the themes and histories of each topic, and raise theoretical issues specific to each
Produktinformation
  • Utgivningsdatum: 2006-09-21
  • Mått: 171 x 245 x 27 mm
  • Vikt: 835 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 496
  • Förlag: John Wiley and Sons Ltd
  • ISBN: 9781405132336
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Mer information

Julie F. Codell is Professor of Art History and English at Arizona State University. She is the author of The Victorian Artist: Artists’ Lifewritings in Britain (2003).

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"An invaluable resource that should (and will) be used by anyone interested in studying, or otherwise thinking about cinema." M/C Reviews“Julie Codell’s anthology does not so much as carve out a niche in film studies as dive in and out of several pre-existing niches, helping itself en route to anything that looks bright and attractive. The result is a collection that overlaps the territory of various recent publications… while forging links and mapping interconnections between its prime concerns… Altogether, this collection should encourage students to explore areas of cinema beyond the conventional English-language mainstream, enriching their viewing experience and offering insights and wider cultural contexts for the films they watch.” The Times Higher Education Supplement “This is a volume whose time has come: a new kind of film text to suit an era when globalization challenges the authority of local cultures, and diasporic mobility is the order of the day.” E. Ann Kaplan, State University of New York at Stony Brook "A superb collection that insightfully demonstrates that race and gender shape global cinema. Ideal for film courses and for anyone interested in world cinema, this is a well-balanced, rigorous, and accessible group of essays sure to provoke deep reflection and passionate discussion." Daniel Bernardi, Arizona State University

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