E. Dawson Varughese is an independent global cultural studies scholar and the author of Beyond the Postcolonial: World Englishes Literature (2012) and Reading New India (2013). She has published in Contemporary South Asia, South Asian Popular Culture and English Today.

• CONTENTSForewordPrefaceChapter One: Introducing the post-millennial scene Chapter Two: The ‘wyrd’: numinosity and estrangement Chapter Three: Bharati Fantasy: eternal bhāvaChapter Four: Bharati Fantasy: modern-day sensibilitiesChapter Five: Conclusions Index

"This insightful and timely book analyses for the first time material not seen in the West, which challenges and changes both our views of India and our view of the ‘Weird’."Robert Eaglestone, Department of English, Royal Holloway, University of London, UK"Dawson’s book provides an accessible and comprehensive overview of the new literary genres of post-millennial Indian fiction. The days of the saree-novels, joint family sagas, and the grand narratives of the nation in Indian fictions are over. Instead the changing milieu of the post-liberalization India has spawned a host of new English fictions that venture into hitherto untrodden grounds of Science Fictions, Fantasies, Comics and Graphic Novels—the Weird Fictions. Through extensive surveys of recent publications, interviews, and an overview of the major themes and styles in the texts, Dawson’s book provides essential information and guidance to anyone interested in a fascinating world of new Indian fictions beyond the postcolonial novels."Swaralipi Nandi, Department of English, Athens Technical College, USA"Varughese’s book would prove significantly valuable to researchers who are looking to analyse forms of speculative fiction particularly with relevance to socio-political and cultural significance. Indeed, some academics whose interests lie in magic realism may find Varughese’s exploration of the conflict between genre fiction and the Indian idea of itihasa fascinating in terms of perceptive dissonance. Varughese’s book, summarily, provides an insight the emergence of sub-genres of fiction in India and the impact of India’s specific time-space, culture and tradition upon the emergence of new literatures."Pete Walsh, Transnational Literature"What makes Varughese’s analysis praiseworthy is her critical acumen in reading various formative theories of the ‘wyrd’ and discussing it through the dimension of Indian English genre fiction writing and the variety it offers. ... Her book offers a fresh and significant contribution to analyzing this category within the context of Indian English writing, which for a very long time was sequestered only to the academic and high-brow categories of literary expression."Sambuddha Jash, Univeristy of New Delhi, India

E. Dawson Varughese is an independent global cultural studies scholar and the author of Beyond the Postcolonial: World Englishes Literature (2012) and Reading New India (2013). She has published in Contemporary South Asia, South Asian Popular Culture and English Today.

• CONTENTSForewordPrefaceChapter One: Introducing the post-millennial scene Chapter Two: The ‘wyrd’: numinosity and estrangement Chapter Three: Bharati Fantasy: eternal bhāvaChapter Four: Bharati Fantasy: modern-day sensibilitiesChapter Five: Conclusions Index

"This insightful and timely book analyses for the first time material not seen in the West, which challenges and changes both our views of India and our view of the ‘Weird’."Robert Eaglestone, Department of English, Royal Holloway, University of London, UK"Dawson’s book provides an accessible and comprehensive overview of the new literary genres of post-millennial Indian fiction. The days of the saree-novels, joint family sagas, and the grand narratives of the nation in Indian fictions are over. Instead the changing milieu of the post-liberalization India has spawned a host of new English fictions that venture into hitherto untrodden grounds of Science Fictions, Fantasies, Comics and Graphic Novels—the Weird Fictions. Through extensive surveys of recent publications, interviews, and an overview of the major themes and styles in the texts, Dawson’s book provides essential information and guidance to anyone interested in a fascinating world of new Indian fictions beyond the postcolonial novels."Swaralipi Nandi, Department of English, Athens Technical College, USA"Varughese’s book would prove significantly valuable to researchers who are looking to analyse forms of speculative fiction particularly with relevance to socio-political and cultural significance. Indeed, some academics whose interests lie in magic realism may find Varughese’s exploration of the conflict between genre fiction and the Indian idea of itihasa fascinating in terms of perceptive dissonance. Varughese’s book, summarily, provides an insight the emergence of sub-genres of fiction in India and the impact of India’s specific time-space, culture and tradition upon the emergence of new literatures."Pete Walsh, Transnational Literature"What makes Varughese’s analysis praiseworthy is her critical acumen in reading various formative theories of the ‘wyrd’ and discussing it through the dimension of Indian English genre fiction writing and the variety it offers. ... Her book offers a fresh and significant contribution to analyzing this category within the context of Indian English writing, which for a very long time was sequestered only to the academic and high-brow categories of literary expression."Sambuddha Jash, Univeristy of New Delhi, India

E. Dawson Varughese is an independent global cultural studies scholar and the author of Beyond the Postcolonial: World Englishes Literature (2012) and Reading New India (2013). She has published in Contemporary South Asia, South Asian Popular Culture and English Today.

• CONTENTSForewordPrefaceChapter One: Introducing the post-millennial scene Chapter Two: The ‘wyrd’: numinosity and estrangement Chapter Three: Bharati Fantasy: eternal bhāvaChapter Four: Bharati Fantasy: modern-day sensibilitiesChapter Five: Conclusions Index

"This insightful and timely book analyses for the first time material not seen in the West, which challenges and changes both our views of India and our view of the ‘Weird’."Robert Eaglestone, Department of English, Royal Holloway, University of London, UK"Dawson’s book provides an accessible and comprehensive overview of the new literary genres of post-millennial Indian fiction. The days of the saree-novels, joint family sagas, and the grand narratives of the nation in Indian fictions are over. Instead the changing milieu of the post-liberalization India has spawned a host of new English fictions that venture into hitherto untrodden grounds of Science Fictions, Fantasies, Comics and Graphic Novels—the Weird Fictions. Through extensive surveys of recent publications, interviews, and an overview of the major themes and styles in the texts, Dawson’s book provides essential information and guidance to anyone interested in a fascinating world of new Indian fictions beyond the postcolonial novels."Swaralipi Nandi, Department of English, Athens Technical College, USA"Varughese’s book would prove significantly valuable to researchers who are looking to analyse forms of speculative fiction particularly with relevance to socio-political and cultural significance. Indeed, some academics whose interests lie in magic realism may find Varughese’s exploration of the conflict between genre fiction and the Indian idea of itihasa fascinating in terms of perceptive dissonance. Varughese’s book, summarily, provides an insight the emergence of sub-genres of fiction in India and the impact of India’s specific time-space, culture and tradition upon the emergence of new literatures."Pete Walsh, Transnational Literature"What makes Varughese’s analysis praiseworthy is her critical acumen in reading various formative theories of the ‘wyrd’ and discussing it through the dimension of Indian English genre fiction writing and the variety it offers. ... Her book offers a fresh and significant contribution to analyzing this category within the context of Indian English writing, which for a very long time was sequestered only to the academic and high-brow categories of literary expression."Sambuddha Jash, Univeristy of New Delhi, India