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Jennifer Jahner, Ingrid Nelson - Gender, Poetry, and the Form of Thought in Later Medieval Literature, Inbunden

Inbunden, Engelska, 2022

Gender, Poetry, and the Form of Thought in Later Medieval Literature

Essays in Honor of Elizabeth A. Robertson

Av Jennifer Jahner, Ingrid Nelson

1799 kr

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Beskrivning
Over the course of her career, Elizabeth Robertson has pursued innovative scholarship that investigates the overlapping domains of medieval philosophy, literature, and gender studies. This collection of essays, dedicated to her work, examines gender as a construct of language, a mode of embodiment, and a critical framework for thinking about the past. Its eleven contributors approach the figure of the gendered body in medieval English writing along several axes: poetic, philosophical, material-textual, and historical. The volume focuses on the ways that the medieval body becomes a site of inquiry and agency, whether in the form of the idealized feminine body of secular and religious lyric, the sexually permissive and permeable body of fabliau, or the intercessory body of religious devotional writing. The essays span a broad range of medieval literary works, from the lais of Marie de France to Pearl to Piers Plowman and the poetry of Geoffrey Chaucer, and a broad range of methodological approaches, from philosophy to affect and manuscript studies. Taken together, they celebrate the scholarly career of Elizabeth Robertson while also presenting a coherent and multifaceted investigation of the intersections of gender and medieval literary practice.
Produktinformation
  • Utgivningsdatum: 2022-02-09
  • Mått: 159 x 228 x 23 mm
  • Vikt: 576 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 250
  • Förlag: Associated University Presses
  • ISBN: 9781611463323
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Mer information

Jennifer Jahner is professor of English at Caltech.Ingrid Nelson is associate professor of English at Amherst College.

Recensioner i media

While celebrating Elizabeth Robertson’s long and distinguished body of scholarship, this volume affirms that debts to another’s critical arguments can in the best circumstances lead to new and refreshing insights. With considerations of acrostics and ballads, and in treatments that include authors such as John Clanvowe, Margery Kempe, and Marie de France, chapters show how form enables different kinds of embodiment, and how gender conditions expectations for various genres and/or authors. For its intellectual originality and critical generosity, this volume will be a mainstay of late Middle English literary studies.

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