Gender, Nation, and the Arabic Novel

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Egypt, 1892-2008

Häftad, Engelska, 2026

Av Hoda Elsadda

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Gender studies in Arabic literature has become equated with women's writing, leaving aside the possibility of a radical rethinking of the Arabic literary canon and Arab cultural history. While the 'woman question' in the Arabic novel has received considerable attention, the 'male question' has gone largely unnoticed. Now, Hoda Elsadda bucks that trend to give us a nuanced understanding of literary imaginings of masculinity and femininity in the Egyptian novel. Foregrounding voices that have been marginalised alongside canonical works, she engages with new directions in the novel tradition.

Produktinformation

Utgivningsdatum2026-05-31
Mått156 x 234 x undefined mm
FormatHäftad
SpråkEngelska
SerieEdinburgh Studies in Modern Arabic Literature
Antal sidor304
FörlagEdinburgh University Press
ISBN9781399564984

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Hoda Elsadda is Professor of English and Comparative Literature at Cairo University, and co-founder and Chair of the Board of the Women and Memory Forum. Previously, she held a Chair in the Study of the Contemporary Arab World at the University of Manchester. She is a widely published scholar and activist and her work has focused on Arab and Muslim women’s history and narratives, comparative literature and feminist issues.

Introduction: Gender, nation and the canon of the Arabic novelPart I1. Beginnings: Discourses on Ideal Manhood and Ideal Womanhood2. The New Man: Conflicting Masculinities in the Fiction of Haikal, al-Mazini and a-Rafi'I3. Tawfiq al-Hakim and the Civilizational NovelPart II4. Naguib Mahfouz's Trilogy: A National Allegory5. Latifa al-Zayyat: Gender and Nationalist Politics6. Defeated Masculinities in Sonallah IbrahimPart III7. The Personal is Political: Debating the New Writing in the 1990s8. The Postcolonial Nomadic Novel9. Liminal Spaces/ Liminal Identities: Hamdi Abu Golayyel, Ahmed Alaidy and Muhammad 'Ala' al-DinConclusionArabic ReferencesEnglish ReferencesIndex

Elsadda brilliantly upends standing understandings of the Arabic novel. Nuanced and incisive, she dissects over a century of Egyptian Arabic novels, demonstrating that the liberal national elite’s gendered imaginations of the nation shaped the literary canon. She convincingly argues that national political projects must imagine themselves through cultural production and that both are systematically shot through with gendered constructions of power.