Bridgitte Barclay is associate professor of English and co-director of the gender studies minor at Aurora University.Christy Tidwell is associate professor of English and humanities at the South Dakota School of Mines & Technology.

• Part One: Performing Humanity, Animality, and GenderChapter One: Female Beasties: Camp Resistance in 1950s Wom-Animal Creature FeaturesBridgitte BarclayChapter Two: “Either you’re mine or you’re not mine”: Controlling Gender, Nature, and Technology in Her and Ex MachinaChristy TidwellChapter Three: Octavia Butler and the Language of the Flesh: Re-Writing Nature in Wild SeedAmelia Z. GreenePart Two: Gendering the Natural WorldChapter Four: Tendrils, Tentacles, and Flower Power: Speciesism in Womaneater (1958) and The Gardener (1974) Fernando Gabriel Pagnoni Berns and Juan JuvéChapter Five: “So Very Natural an Occurrence”: Engendering Nature’s Antagonism in Mary Shelley’s The Last ManSteve AsselinPart Three: Contemporary QueeringChapter Six: Engineered Nature, (En)gendered Nature in Kim Stanley Robinson’s 2312Tyler HarperChapter Seven: Ecologies of Sound: Queer Intimacy, Trans-Corporeality, and Reproduction in Upstream ColorStina AtteberyPart Four: “We Don’t Need Another Hero”Chapter Eight: Nature Boys & Bears in Pants: Ecoqueer Hybrid Heroes in Atomic Age ComicsJill E. AndersonChapter Nine: Saving Eden: Whiteness, Masculinity, and Environmental Nostalgia in Soylent Green and WALL-EMichelle YatesChapter Ten: Mad Max: Beyond Petroleum?Carter Soles

Science fiction scholars should ensure that their library has a copy of this fine collection, and scholars interested in the intersections of gender, sexuality, and the environment in SF should get the paperback for their personal libraries.

Bridgitte Barclay is associate professor of English and co-director of the gender studies minor at Aurora University.Christy Tidwell is associate professor of English and humanities at the South Dakota School of Mines & Technology.

• Part One: Performing Humanity, Animality, and GenderChapter One: Female Beasties: Camp Resistance in 1950s Wom-Animal Creature FeaturesBridgitte BarclayChapter Two: “Either you’re mine or you’re not mine”: Controlling Gender, Nature, and Technology in Her and Ex MachinaChristy TidwellChapter Three: Octavia Butler and the Language of the Flesh: Re-Writing Nature in Wild SeedAmelia Z. GreenePart Two: Gendering the Natural WorldChapter Four: Tendrils, Tentacles, and Flower Power: Speciesism in Womaneater (1958) and The Gardener (1974) Fernando Gabriel Pagnoni Berns and Juan JuvéChapter Five: “So Very Natural an Occurrence”: Engendering Nature’s Antagonism in Mary Shelley’s The Last ManSteve AsselinPart Three: Contemporary QueeringChapter Six: Engineered Nature, (En)gendered Nature in Kim Stanley Robinson’s 2312Tyler HarperChapter Seven: Ecologies of Sound: Queer Intimacy, Trans-Corporeality, and Reproduction in Upstream ColorStina AtteberyPart Four: “We Don’t Need Another Hero”Chapter Eight: Nature Boys & Bears in Pants: Ecoqueer Hybrid Heroes in Atomic Age ComicsJill E. AndersonChapter Nine: Saving Eden: Whiteness, Masculinity, and Environmental Nostalgia in Soylent Green and WALL-EMichelle YatesChapter Ten: Mad Max: Beyond Petroleum?Carter Soles

Science fiction scholars should ensure that their library has a copy of this fine collection, and scholars interested in the intersections of gender, sexuality, and the environment in SF should get the paperback for their personal libraries.

Bridgitte Barclay is associate professor of English and co-director of the gender studies minor at Aurora University.Christy Tidwell is associate professor of English and humanities at the South Dakota School of Mines & Technology.

• Part One: Performing Humanity, Animality, and GenderChapter One: Female Beasties: Camp Resistance in 1950s Wom-Animal Creature FeaturesBridgitte BarclayChapter Two: “Either you’re mine or you’re not mine”: Controlling Gender, Nature, and Technology in Her and Ex MachinaChristy TidwellChapter Three: Octavia Butler and the Language of the Flesh: Re-Writing Nature in Wild SeedAmelia Z. GreenePart Two: Gendering the Natural WorldChapter Four: Tendrils, Tentacles, and Flower Power: Speciesism in Womaneater (1958) and The Gardener (1974) Fernando Gabriel Pagnoni Berns and Juan JuvéChapter Five: “So Very Natural an Occurrence”: Engendering Nature’s Antagonism in Mary Shelley’s The Last ManSteve AsselinPart Three: Contemporary QueeringChapter Six: Engineered Nature, (En)gendered Nature in Kim Stanley Robinson’s 2312Tyler HarperChapter Seven: Ecologies of Sound: Queer Intimacy, Trans-Corporeality, and Reproduction in Upstream ColorStina AtteberyPart Four: “We Don’t Need Another Hero”Chapter Eight: Nature Boys & Bears in Pants: Ecoqueer Hybrid Heroes in Atomic Age ComicsJill E. AndersonChapter Nine: Saving Eden: Whiteness, Masculinity, and Environmental Nostalgia in Soylent Green and WALL-EMichelle YatesChapter Ten: Mad Max: Beyond Petroleum?Carter Soles

Science fiction scholars should ensure that their library has a copy of this fine collection, and scholars interested in the intersections of gender, sexuality, and the environment in SF should get the paperback for their personal libraries.