Galleria Borghese. Catalogo generale

II.1 Dipinti del Quattrocento e Cinquecento

Av Francesca Cappelletti, Laura Scanu

1889 kr

Kommande

Beskrivning

The Galleria Borghese not only houses an extraordinary collection of ancient and modern sculpture, but also one of the most extraordinary collections of paintings in the world, with masterpieces by the most important European painters, including Giovanni Bellini, Correggio, Dosso Dossi, Parmigianino, Raphael, Titian, Caravaggio and Rubens.In two volumes - the first is presented here divided into two tomes and dedicated to works created between the 15th and 16th centuries - the intention is to continue the work begun with the catalogue raisonné of modern sculpture, also published by Officina Libraria (2022), thanks to updates, discoveries, archive research and analysis of works. The entries in this volume, preceded by introductory essays illustrating the main nuclei of paintings produced between the Renaissance and Mannerism periods in the museum, have been entrusted to scholars specialising in the productions of individual artists or regional schools, experts in the history of the gallery and a large group of younger experts in 15th and 16th century painting. The individual texts present a significant degree of in-depth study both chronologically and in terms of attribution, with notes on restorations and archival documents. Text in Italian.

Produktinformation

Utgivningsdatum: 2027-02-08
Mått: 240 x 280 x undefined mm
Vikt: 2 000 g
Format: Inbunden
Språk: Italienska
Serie: Galleria Borghese
Antal sidor: 800
Förlag: Officina Libraria
ISBN: 9788833672854

Utforska kategorier

Konsthistoria

Mer information

Francesca Cappelletti is the director of the Borghese Gallery and full professor of History of Modern Art at the University of Ferrara. He has published a volume on the Mattei collection (Il trattenimento di virtuosi. Le collezioni secentesche di quadri nei palazzi Mattei di Roma, with Laura Testa, Argos, 1994) and various articles on the events of its dispersion, contributing to the discovery and attribution of Caravaggio's Capture of Christ in Dublin. Among his latest books, Caravaggio. Un ritratto somigliante (Electa, 2009), Una storia silenziosa. Collezioni private a Ferrara nel Seicento (Marsilio, 2013), La collezione Pallavicini e il palazzo del giardino a Montecavallo (Campisano, 2014), Le belle. Ritratti femminili nelle stanze del potere (Mondadori, 2024). Laura Scanu obtained his PhD with honors in Human Sciences from the Università di Ferrara. Fellow at the Ermitage Foundation Italy, the Institute of Renaissance Studies of Ferrara and the Institute of Philosophical Studies of Naples. Contract professor at eCampus University, he has collaborated with the Galleria Borghese and in the editing of numerous volumes. Member of the steering committee of the DiDiArt Laboratory (Università di Ferrara) and of the research group L’età delle dispersioni. Collezionismo tra Italia ed Europa nell’età moderna. In addition to several articles and contributions, he has published La storia per le immagini (2018), Guido Reni a Roma. Itinerari (2022, with Romeo Pio Cristofori) and Rifar Ferrara in Roma. Arte e diplomazia alla corte di Alessandro d'Este (2023).

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