Del 7 - Contemporary Russian Philosophy

From Onomatodoxy to Aesthetics: Aleksei Losev’s Concept of Symbol

Inbunden, Engelska, 2025

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In From Onomatodoxy to Aesthetics: Aleksei Losev’s Concept of Symbol, Teresa Obolevitch analyzes the category of symbol in broad historical and philosophical context, with a focus on Losev’s exploration of symbol over his prolific and tragic career. A survivor of the Stalinist camps, Losev is recognized as the “last classic” of Russian Silver Age philosophy. This book addresses Losev’s critical role within the divisive debate over onomatodoxy (imiaslavie), or the divine name, which occupied the minds of Russian thinkers in the early nineteenth century. Obolevitch presents the ancient and patristic roots of onomatodoxy and elucidates its importance for Losev’s work in a range of fields, including aesthetics, mathematics, philosophy of language, and religion. Losev’s work revolves around the possibility of expressing reality in language and his conception of symbol reflects both the apophatic aspect of Logos, as well as the possibility for new interpretations of reality.

Produktinformation

Utgivningsdatum2025-05-08
Mått155 x 235 x 32 mm
Vikt821 g
FormatInbunden
SpråkEngelska
SerieContemporary Russian Philosophy
Antal sidor410
FörlagBrill
ISBN9789004721982
OriginaltitelOd onomatodoksji do estetyki. Aleksego Łosiewa koncepcja symbolu. Studium historyczno-filozoficzne
ÖversättareMalczak, Łukasz

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Filosofiska discipliner inom Filosofi och religion

ContentsList of Figures and TablesNote on TransliterationIntroduction1 The Twentieth-Century Debate over Onomatodoxy, and Its Participants1 The History of the Debate2 Aleksei Losev: the Man and His Work2 Patristic Foundations of Imiaslavie1 Apophasis and Its Philosophical Premises2 Divine Names and Energies3 Eastern Christian Symbolism4 Interpretation of the Patristic Doctrine of the Divine Name in Russian Philosophy3 Platonic Determinants of Onomatodoxy as Interpreted by Losev1 A Thesis about God’s Immanence and Platonism2 Losev’s Characterization of the Platonic “Idea”3 The One-Good as the Principle of Reality4 Platonic Symbolism4 The Structure of the Name1 Antinomy between Freedom and Necessity2 Ancient Concepts of the Inner and Outer Aspects of the Word, and Their Interpretation among the Name Glorifiers3 Losev’s Dialectic of the Name4 Synergism between Divine and Human Energies5 The Origin of the Name1 The Ontological Foundation of the Name2 The World as a Name3 The Symbolism of the Cosmos6 The Mythic Nature of the Name1 Losev’s Analysis of Mythology2 Myth and Symbol3 Absolute Mythology—Christianity4 Indispensability of Myth7 The Open Structure of the Symbol1 The “Logic” of the Symbol2 The Symbol as a Category of Expression3 The Symbol as Interpretation of Reality8 The Symbol in Aesthetics1 Losev’s Definition of Aesthetics2 The Symbol in Art3 Philosophy of Music4 The Symbol in Mathematics5 Philosophy of Expression as Philosophy Par ExcellenceAfterwordBibliographyIndex