Frescoes

In Frescoes, Stephen Gibson assumes the charge of the engaged tourist, paying his entry fee to the chapels and basilicas of Renaissance Florence and Padua and Rome in order to enter in to much more subversive premises: to see through the pigmented plaster and marble facades to the real-life consequences of original sin and human depravity depicted in these treasures of High Art. Gibson is a wised-up pilgrim in sanctuaries whose faith he cannot share.