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First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Diana Holmes is Professor of French at Keele University. Robert Ingram is Associate Dean in the School of Languages and European Studies at the University of Wolverhampton
PrefaceLes Mistons: an introduction1. The Context: Cinema Saved my Life2. A Career in Cinema3. The Genre Films4. Magic Mothers: The Sexual Politics of Truffaut’s Films5. Where is the Father? Masculinity and Authorship6. The Definitif and the Provisoire (The Absolute v. the Provisional)FilmographyBibliography
John Field, Jim Gallacher, Robert Ingram, UK) Field, John (University of Stirling, UK) Gallacher, Jim (Glasgow Caledonian University, UK) Ingram, Robert (Glasgow Caledonian University