Andy Hartzell's first graphic novel, Fox Bunny Funny, was a New York Times holiday pick. He has contributed to many anthologies, including No Straight Lines (Eisner nomination) and Qu33r (Ignatz Award), and he received an Xeric award for his first comic, Bread & Circuses. He lives in Oakland, CA, where his partner Ron tends the garden, and his boxador Louis tears it up again. He works as an interaction designer and creative strategist when he's not making comics.

"This wordless story has three distinct parts. First, a perhaps middle-school-aged, suburban fox-boy carefully pedals about town on his bike with a sack whose contents he keeps secret from neighbors' and parents' prying eyes. The punch-panel of this episode, in which the fox-boy dons a rabbit suit, surely refers to a young man's experimentation with cross-dressing. In the second episode, the fox-boy goes to the equivalent of Boy Scout camp, where he suffers from having to keep his identification with rabbits hidden from peers and counselors. When discovered, however, he turns on a rabbit and makes a species-correct meal choice. In the final part, the fox is now a young man trying hard to present his fox identity. When he discovers a city where foxes and rabbits amicably coexist, he faints, is whisked to a hospital, and undergoes an operation to conform his presenting biology to his inner rabbit. Deftly presented in crisp black-and-white, block-print-like panels, this is a must for libraries supporting LGBT collections." —Francisca Goldsmith, Booklist

Andy Hartzell's first graphic novel, Fox Bunny Funny, was a New York Times holiday pick. He has contributed to many anthologies, including No Straight Lines (Eisner nomination) and Qu33r (Ignatz Award), and he received an Xeric award for his first comic, Bread & Circuses. He lives in Oakland, CA, where his partner Ron tends the garden, and his boxador Louis tears it up again. He works as an interaction designer and creative strategist when he's not making comics.

"This wordless story has three distinct parts. First, a perhaps middle-school-aged, suburban fox-boy carefully pedals about town on his bike with a sack whose contents he keeps secret from neighbors' and parents' prying eyes. The punch-panel of this episode, in which the fox-boy dons a rabbit suit, surely refers to a young man's experimentation with cross-dressing. In the second episode, the fox-boy goes to the equivalent of Boy Scout camp, where he suffers from having to keep his identification with rabbits hidden from peers and counselors. When discovered, however, he turns on a rabbit and makes a species-correct meal choice. In the final part, the fox is now a young man trying hard to present his fox identity. When he discovers a city where foxes and rabbits amicably coexist, he faints, is whisked to a hospital, and undergoes an operation to conform his presenting biology to his inner rabbit. Deftly presented in crisp black-and-white, block-print-like panels, this is a must for libraries supporting LGBT collections." —Francisca Goldsmith, Booklist

Andy Hartzell's first graphic novel, Fox Bunny Funny, was a New York Times holiday pick. He has contributed to many anthologies, including No Straight Lines (Eisner nomination) and Qu33r (Ignatz Award), and he received an Xeric award for his first comic, Bread & Circuses. He lives in Oakland, CA, where his partner Ron tends the garden, and his boxador Louis tears it up again. He works as an interaction designer and creative strategist when he's not making comics.

"This wordless story has three distinct parts. First, a perhaps middle-school-aged, suburban fox-boy carefully pedals about town on his bike with a sack whose contents he keeps secret from neighbors' and parents' prying eyes. The punch-panel of this episode, in which the fox-boy dons a rabbit suit, surely refers to a young man's experimentation with cross-dressing. In the second episode, the fox-boy goes to the equivalent of Boy Scout camp, where he suffers from having to keep his identification with rabbits hidden from peers and counselors. When discovered, however, he turns on a rabbit and makes a species-correct meal choice. In the final part, the fox is now a young man trying hard to present his fox identity. When he discovers a city where foxes and rabbits amicably coexist, he faints, is whisked to a hospital, and undergoes an operation to conform his presenting biology to his inner rabbit. Deftly presented in crisp black-and-white, block-print-like panels, this is a must for libraries supporting LGBT collections." —Francisca Goldsmith, Booklist