Foundations in Sound Design for Linear Media

Michael Filimowicz, PhD, is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University and coeditor of The Soundtrack journal. He develops new forms of general-purpose multimodal and audiovisual display technology, exploring novel product lines across different application contexts including gaming, immersive exhibitions, control rooms, telepresence and simulation-based training. He has published across disciplines in journals such as Organised Sound, Arts and Humanities in Higher Education, Leonardo, Sound Effects, Parsons Journal for Information Mapping and Semiotica. His art has been exhibited internationally at venues such as SIGGRAPH, Re-New, Design Shanghai, ARTECH, Les Instants Vidéo, IDEAS, Kinsey Institute, and Art Currents, and published in monographs such as Spotlight: 20 Years of the Biel/Bienne Festival of Photography, Reframing Photography and Infinite Instances. His personal website is http://filimowi.cz.

• Series Preface – Michael FilimowiczVolume Introduction – Michael Filimowicz The Nature of Sound and Recording – Andrew Knight-Hill Invisible Seams: the Role of Foley and Voice Postproduction Recordings in the Design of Cinematic Performances – Sandra Pauletto Media Management, Sound Editing and Mixing – George Kalliris, Charalampos A. Dimoulas, Maria Matsiola Audio Effects in Sound Design – Brecht De Man The Mix Stems: Voice, Effects, Music, Buses – Neil Hillman Mixing and Mastering – Paul Geluso Designing Sound for 3D Films – Damian Candusso Compositional Techniques for Sound Design – Sarah Pickett Music Theory for Sound Designers – Adam Melvin and Brian Bridges Leveraging Online Audio Commons Content for Media Production – Anna Xambó, Frederic Font, György Fazekas and Mathieu Barthet Sound Ontologies: Methods and Approaches for the Description of Sound – Davide Andrea Mauro and Andrea Valle Electroacoustic Music: An Art of Sound – Andrew Knight-Hill Electronic Dance Music in Narrative Film – Roberto Filoseta Soundscape Composition: Listening to Context and Contingency – John L. Drever From Feeling Vibrations to Building Audiovisual Scenes: The Perceptual Practice of Storytelling with Sound – Isabelle DelmotteIndex