Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge, England and Fellow at Jesus College, Cambridge. She is author of Consuming Visions: Cinema, Writing, and Modernity in Rio de Janeiro.

• IllustrationsAcknowledgmentsIntroduction: The Modern Foundations of Brazilian CinemaPart I. Locating the Belle Epoque of Brazilian Cinema1. Early Cinema and National Identity in Brazil: Mapping Out a Space of Analysis2. Cinematic Vistas of Rio de Janeiro’s Worldly Modernity3. Alternative Urban Projections in Early Narrative FilmsPart II. Hollywood Revisions4. Film and Fandom in Cinearte Magazine5. Beyond Hollywood: Reading Slave Relations in Humberto Mauro’s Lost Treasure (1927)Part III. The Rondon Commission: Producing New Visions of the Amazon6. Picturing the Tropics: Forging a National Territory through Photography and Film7. The Expedition Films of Major Luiz Thomaz ReisPart IV. Modernism and the Movies8. Modernismo’s Literary Engagements with Film9. The Cine-Poetry of Mário Peixoto’s Limite10. Fabricating Discipline and Progress in São Paulo, Symphony of a MetropolisPostscript: Toward New Cinematic FoundationsNotesFilmographyBibliographyIndex

Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge, England and Fellow at Jesus College, Cambridge. She is author of Consuming Visions: Cinema, Writing, and Modernity in Rio de Janeiro.

• IllustrationsAcknowledgmentsIntroduction: The Modern Foundations of Brazilian CinemaPart I. Locating the Belle Epoque of Brazilian Cinema1. Early Cinema and National Identity in Brazil: Mapping Out a Space of Analysis2. Cinematic Vistas of Rio de Janeiro’s Worldly Modernity3. Alternative Urban Projections in Early Narrative FilmsPart II. Hollywood Revisions4. Film and Fandom in Cinearte Magazine5. Beyond Hollywood: Reading Slave Relations in Humberto Mauro’s Lost Treasure (1927)Part III. The Rondon Commission: Producing New Visions of the Amazon6. Picturing the Tropics: Forging a National Territory through Photography and Film7. The Expedition Films of Major Luiz Thomaz ReisPart IV. Modernism and the Movies8. Modernismo’s Literary Engagements with Film9. The Cine-Poetry of Mário Peixoto’s Limite10. Fabricating Discipline and Progress in São Paulo, Symphony of a MetropolisPostscript: Toward New Cinematic FoundationsNotesFilmographyBibliographyIndex

Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge, England and Fellow at Jesus College, Cambridge. She is author of Consuming Visions: Cinema, Writing, and Modernity in Rio de Janeiro.

• IllustrationsAcknowledgmentsIntroduction: The Modern Foundations of Brazilian CinemaPart I. Locating the Belle Epoque of Brazilian Cinema1. Early Cinema and National Identity in Brazil: Mapping Out a Space of Analysis2. Cinematic Vistas of Rio de Janeiro’s Worldly Modernity3. Alternative Urban Projections in Early Narrative FilmsPart II. Hollywood Revisions4. Film and Fandom in Cinearte Magazine5. Beyond Hollywood: Reading Slave Relations in Humberto Mauro’s Lost Treasure (1927)Part III. The Rondon Commission: Producing New Visions of the Amazon6. Picturing the Tropics: Forging a National Territory through Photography and Film7. The Expedition Films of Major Luiz Thomaz ReisPart IV. Modernism and the Movies8. Modernismo’s Literary Engagements with Film9. The Cine-Poetry of Mário Peixoto’s Limite10. Fabricating Discipline and Progress in São Paulo, Symphony of a MetropolisPostscript: Toward New Cinematic FoundationsNotesFilmographyBibliographyIndex