Format Friction

Perspectives on the Shellac Disc

Inbunden, Engelska, 2024

AvGavin Williams

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The first book to consider the shellac disc as a global format.With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.

Produktinformation

Utgivningsdatum2024-06-05
Mått152 x 229 x 20 mm
Vikt426 g
FormatInbunden
SpråkEngelska
SerieNew Material Histories of Music
Antal sidor208
FörlagThe University of Chicago Press
ISBN9780226833248

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“With the conceptual elegance of a nondogmatic philosopher, the fine attunement of an open-eared political theorist, and the sensibilities of a historian, Williams generously gives us a finely grained and riveting story of how, why, where, and who comes into relation and entanglement when we harness sound to a material (shellac) and a format (the disc). Like the friction required for the gramophone needle to render discs into sound, Format Friction rubs against the political economies that bind materials and audiences, materiality and listening, and nature(s) and culture(s), so that the desires and imaginations of laborers, makers, sellers, consumers, thinkers, and tinkerers may yet be heard through a thicket of competing global forces. A stunning work.”

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