"I didn't want this beguiling and immersive novel to end. It's that unusual creation, an intimate epic, and its characters continue to flood my thoughts. The translation does justice to the author's virtuoso performance." - Martina Devlin; "Forgottenness is quietly magnificent. Through the interwoven Ukranian lives therein, Maljartschuk has created a truly singular work, one that touches meaningfully and without pomp or pretension on selfhood, narrative, time and legacy. This is one of those rare books whose sentences unfurl through the silences we forget we're living in." - Lucy Sweeney Byrne; "In Forgottenness, Tanja Maljartschuk and translator Zenia Tompkins offer us a reminder of how readily we can forget - and a lesson in the vital importance of remembering. At once an electrifying personal narrative, and a vast European chronicle of war, memory and politics, this novel is timely and intensely charged." - Neil Hegarty; "It's no coincidence that time and memory are the big topic today, feeding off the anxieties of the world. Tanja Maljartschuk's novel is about the giant blue whale of time swallowing everything living on its way. What she is interested in is not even disappearance but tracelessness. Both personal and political, this book rages against time and oblivion as all true literature does." - Georgi Gospodinov, author of Time Shelter (International Booker Prize 2023); "[Maljartschuk] stands out as an author who asks in which time we live, who wants to recognize and present the truth about it with literary and essayistic means." -Theodore Kramer Prize for Writing in Resistance and Exile; "Maljartschuk is an outstanding storyteller who writes against the erasure of Ukrainian history." - volksblatt.at; "A literarily impressive novel that shows what it means when one's identity consists of fear, obedience, and oblivion." - buchmagazin; "Tanja Maljartschuk sensitively links a fictional and a real, historical life story from Ukraine." - Kleine Zeitung; "An exceptionally ambitious work that captivates with its clear, level-headed language." - Stern; "The comforting thing about this book is its inconsolability. The blue whale closes its mouth and swims on." - Frankfurter Rundschau; "[Maljartschuk] breathes literary life into the forgotten era with poetic imagination and cinematic embellishments [....] By turning Vyacheslav Lypynsky into a novel hero and making his daughter, with whom he had no contact, into a character who asks him questions at the end of his life, Maljartschuk strengthens the roots of the young Ukrainian historical consciousness, which is marked by the memory of setbacks and futile resistance. [...] Lypynsky's sense of solidarity and responsibility for the country colonized by his compatriots seems, from today's perspective, almost like a harbinger of the European idea. And his advocacy of a territorial principle of the new Ukraine, which was to be home to inhabitants of different origins, denominations and languages, could well teach the fractured Ukrainian society of today something." - FAZ; "A novel that dares and wins: The way Tanya Maljartschuk intertwines the small and large stories of her characters, the way she tells the story of her homeland, in very different literary forms and yet always remaining true to her style, is as convincing as it is impressive." - taz; "Maljartschuk [skillfully] weaves a fictional and a real life story into a poetic double portrait. Meticulously researched, the novel impresses with the wealth of material in its historical digressions as well as with the sensitive drawing of the souls of its protagonists." - Kleine Zeitung; "Her humorously melancholic novel is a dense yet successful attempt to erase a white mark in both Ukrainian and European history and to give it a face. Thus the novel, which states the 'lack of trace of disappearance', cleverly and artfully resists oblivion." - Die Rheinpfalz; "European literature has a new Marcel Proust or Thomas Mann, and this time it's a woman: her name is Tanya Maljartschuk." - Vatican News
