Folly

Häftad, Engelska, 2015

179 kr

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Mr and Mrs Malgas are going quietly about their lives when a mysterious squatter appears on the vacant plot next to their home. Arriving with portmanteau in hand and a head full of extraordinary ideas, the stranger at once begins to fashion tools and cutlery from old iron and rubbish. Soon he enlists Mr Malgas’s help: drawn in by the stranger's conviction, Mr Malgas clears the land, all the while struggling to catch sight of the grand mansion that is supposedly springing up around them. His vision, however, continues to fail him - until, one day, it doesn't. When The Folly appeared in South Africa in 1993, with its story of the seductive and dangerous illusions language can breed, it was read as an evocative allegory of the rise and fall of apartheid. Vladislavić’s remarkable first novel is sure to strike new chords for contemporary readers.

Produktinformation

Utgivningsdatum2015-11-11
Mått129 x 198 x undefined mm
Vikt210 g
FormatHäftad
SpråkEngelska
FörlagAnd Other Stories
ISBN9781908276704
UtmärkelserWinner of Windham-Campbell Prize 2015 (United States)

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Ivan Vladislavić was born in Pretoria in 1957 and lives in Johannesburg. His acclaimed fiction includes Double Negative (And Other Stories, 2013), The Restless Supermarket (And Other Stories, 2014), 101 Detectives (And Other Stories, 2015) and The Folly (And Other Stories, 2015). He has edited books on architecture and art, and sometimes works with artists and photographers. He has also written extensively about living in a changing South Africa. Portrait with Keys (Portobello Books, 2006) is a sequence of documentary texts about Johannesburg. His work has won many awards, including the South African Sunday Times Fiction Prize, the Alan Paton Award for non-fiction and Yale University’s Windham-Campbell Prize. He is a Distinguished Professor in Creative Writing at the University of the Witwatersrand.

‘A parable about land, ownership and power? A fable about the imagined other? An allegory of contestation and co-existence, or of the building (and dismantling) of systems? Occupying a tantalizingly unnameable region between fable, allegory and parable, Ivan Vladislavić's first novel announces a powerfully original imagination, expressed in unparalleled stylistic precision and brilliance. Nothing short of a great contemporary writer, he pushes at form and content to make something strangely new and profound of the novel.’