Julian Murphet is Professor of Modern Film and Literature at the University of New South Wales, Australia. He is the author of Multimedia Modernism (2009), Literature and Race in Los Angeles (2001), co-author of Narrative and Media (2005), and co-editor of Literature and Visual Technologies (2003).Rónán McDonald holds the Australian Ireland Fund Chair in Modern Irish Studies and is Director of the Global Irish Studies Centre at the University of New South Wales, Australia. His recent publications include Tragedy and Irish Literature: Synge, O'Casey, Beckett (2002), The Cambridge Introduction to Samuel Beckett (2006), and a special issue of the Yearbook of English Studies (2005) on 'Irish Writing since 1950'.Sascha Morrell is Lecturer in English Literature at the University of New England, Australia. She studied at the University of Cambridge and has broad interests in 19th and early-20th Century American, British and 'Antipodean' literatures.

• AcknowledgementsContributorsIntroductionRónán McDonald, University of New South Wales, Australia and Julian Murphet, University of New South Wales, AustraliaChapter 1 Making Evil, with Flann O’BrienSean Pryor, University of New South Wales, AustraliaChapter 2 Mythomaniac modernism: lying and bullshit in Flann O’BrienJohn Attridge, University of New South Wales, AustraliaChapter 3 ‘The outward accidents of illusion’: O’Brien and the TheatricalStefan Solomon, University of Sydney, AustraliaChapter 4 The Ghost of ‘Poor Jimmy Joyce’: A Portrait of the Artist as a Reluctant ModernistStephen Abblitt, La Trobe University, AustraliaChapter 5 ‘Do You Know What I’m Going to Tell You?’: Flann O’Brien, Risibility and the Anxiety of InfluenceDavid Kelly, University of Sydney, AustraliaChapter 6 An Béal Bocht, Translation and the Proper NameMaebh Long, University of the South Pacific, FijiChapter 7 Ploughmen Without Land: Flann O’Brien and Patrick KavanaghJoseph Brooker, University of London, United KingdomChapter 8 Flann O’Brien’s Ulysses: Marginalia and the Modernist MindDirk Van Hulle, University of Antwerp, BelgiumChapter 9 ‘Truth is an Odd Number’: Flann O’Brien and Infinite ImperfectionBaylee Brits, University of New South Wales, AustraliaChapter 10 ‘An astonishing parade of nullity’: Nihilism in The Third PolicemanRónán McDonald, University of New South Wales, AustraliaChapter 11 Flann O’Brien and Modern CharacterJulian Murphet, University of New South Wales, AustraliaChapter 12 ‘No unauthorized boozing’: Flann O’Brien and the Thirsty MuseSam Dickson Chapter 13 Soft drink, hard drink, and literary (re)production in Flann O’Brien and Frank MoorhouseSascha Morrell, University of New England, AustraliaChapter 14 Flann O’Brien’s Aestho-AutogamyMark Steven, University of New South Wales, AustraliaChapter 15 Modernist WheelmenMark Byron, University of Sydney, Australia

The essays in the collection do a good job of showing how O’Brien’s work should be read within the context of trans-European modernism.

Julian Murphet is Professor of Modern Film and Literature at the University of New South Wales, Australia. He is the author of Multimedia Modernism (2009), Literature and Race in Los Angeles (2001), co-author of Narrative and Media (2005), and co-editor of Literature and Visual Technologies (2003).Rónán McDonald holds the Australian Ireland Fund Chair in Modern Irish Studies and is Director of the Global Irish Studies Centre at the University of New South Wales, Australia. His recent publications include Tragedy and Irish Literature: Synge, O'Casey, Beckett (2002), The Cambridge Introduction to Samuel Beckett (2006), and a special issue of the Yearbook of English Studies (2005) on 'Irish Writing since 1950'.Sascha Morrell is Lecturer in English Literature at the University of New England, Australia. She studied at the University of Cambridge and has broad interests in 19th and early-20th Century American, British and 'Antipodean' literatures.

• AcknowledgementsContributorsIntroductionRónán McDonald, University of New South Wales, Australia and Julian Murphet, University of New South Wales, AustraliaChapter 1 Making Evil, with Flann O’BrienSean Pryor, University of New South Wales, AustraliaChapter 2 Mythomaniac modernism: lying and bullshit in Flann O’BrienJohn Attridge, University of New South Wales, AustraliaChapter 3 ‘The outward accidents of illusion’: O’Brien and the TheatricalStefan Solomon, University of Sydney, AustraliaChapter 4 The Ghost of ‘Poor Jimmy Joyce’: A Portrait of the Artist as a Reluctant ModernistStephen Abblitt, La Trobe University, AustraliaChapter 5 ‘Do You Know What I’m Going to Tell You?’: Flann O’Brien, Risibility and the Anxiety of InfluenceDavid Kelly, University of Sydney, AustraliaChapter 6 An Béal Bocht, Translation and the Proper NameMaebh Long, University of the South Pacific, FijiChapter 7 Ploughmen Without Land: Flann O’Brien and Patrick KavanaghJoseph Brooker, University of London, United KingdomChapter 8 Flann O’Brien’s Ulysses: Marginalia and the Modernist MindDirk Van Hulle, University of Antwerp, BelgiumChapter 9 ‘Truth is an Odd Number’: Flann O’Brien and Infinite ImperfectionBaylee Brits, University of New South Wales, AustraliaChapter 10 ‘An astonishing parade of nullity’: Nihilism in The Third PolicemanRónán McDonald, University of New South Wales, AustraliaChapter 11 Flann O’Brien and Modern CharacterJulian Murphet, University of New South Wales, AustraliaChapter 12 ‘No unauthorized boozing’: Flann O’Brien and the Thirsty MuseSam Dickson Chapter 13 Soft drink, hard drink, and literary (re)production in Flann O’Brien and Frank MoorhouseSascha Morrell, University of New England, AustraliaChapter 14 Flann O’Brien’s Aestho-AutogamyMark Steven, University of New South Wales, AustraliaChapter 15 Modernist WheelmenMark Byron, University of Sydney, Australia

The essays in the collection do a good job of showing how O’Brien’s work should be read within the context of trans-European modernism.

Julian Murphet is Professor of Modern Film and Literature at the University of New South Wales, Australia. He is the author of Multimedia Modernism (2009), Literature and Race in Los Angeles (2001), co-author of Narrative and Media (2005), and co-editor of Literature and Visual Technologies (2003).Rónán McDonald holds the Australian Ireland Fund Chair in Modern Irish Studies and is Director of the Global Irish Studies Centre at the University of New South Wales, Australia. His recent publications include Tragedy and Irish Literature: Synge, O'Casey, Beckett (2002), The Cambridge Introduction to Samuel Beckett (2006), and a special issue of the Yearbook of English Studies (2005) on 'Irish Writing since 1950'.Sascha Morrell is Lecturer in English Literature at the University of New England, Australia. She studied at the University of Cambridge and has broad interests in 19th and early-20th Century American, British and 'Antipodean' literatures.

• AcknowledgementsContributorsIntroductionRónán McDonald, University of New South Wales, Australia and Julian Murphet, University of New South Wales, AustraliaChapter 1 Making Evil, with Flann O’BrienSean Pryor, University of New South Wales, AustraliaChapter 2 Mythomaniac modernism: lying and bullshit in Flann O’BrienJohn Attridge, University of New South Wales, AustraliaChapter 3 ‘The outward accidents of illusion’: O’Brien and the TheatricalStefan Solomon, University of Sydney, AustraliaChapter 4 The Ghost of ‘Poor Jimmy Joyce’: A Portrait of the Artist as a Reluctant ModernistStephen Abblitt, La Trobe University, AustraliaChapter 5 ‘Do You Know What I’m Going to Tell You?’: Flann O’Brien, Risibility and the Anxiety of InfluenceDavid Kelly, University of Sydney, AustraliaChapter 6 An Béal Bocht, Translation and the Proper NameMaebh Long, University of the South Pacific, FijiChapter 7 Ploughmen Without Land: Flann O’Brien and Patrick KavanaghJoseph Brooker, University of London, United KingdomChapter 8 Flann O’Brien’s Ulysses: Marginalia and the Modernist MindDirk Van Hulle, University of Antwerp, BelgiumChapter 9 ‘Truth is an Odd Number’: Flann O’Brien and Infinite ImperfectionBaylee Brits, University of New South Wales, AustraliaChapter 10 ‘An astonishing parade of nullity’: Nihilism in The Third PolicemanRónán McDonald, University of New South Wales, AustraliaChapter 11 Flann O’Brien and Modern CharacterJulian Murphet, University of New South Wales, AustraliaChapter 12 ‘No unauthorized boozing’: Flann O’Brien and the Thirsty MuseSam Dickson Chapter 13 Soft drink, hard drink, and literary (re)production in Flann O’Brien and Frank MoorhouseSascha Morrell, University of New England, AustraliaChapter 14 Flann O’Brien’s Aestho-AutogamyMark Steven, University of New South Wales, AustraliaChapter 15 Modernist WheelmenMark Byron, University of Sydney, Australia

The essays in the collection do a good job of showing how O’Brien’s work should be read within the context of trans-European modernism.