Stephen Prince is a professor of cinema at Virginia Tech, teaching film history, criticism, and theory. He is the author of numerous books, including Classical Film Violence, Movies and Meaning: An Introduction to Film, The Warrior's Camera: The Cinema of Akira Kurosawa, and Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.

• Acknowledgments Introduction 1. Theater of Mass Destruction 2. Shadows Once Removed 3. Ground Zero in Focus 4. Battleground Iraq 5. Terrorism on the Small Screen 6. No End in Sight Appendix 1: Historical Timeline Appendix 2: Filmography Notes Bibliography Index

[Firestorm] will be a popular resource for film students. -- James Clarke Times Higher Education Supplement Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history... Essential. Choice offers a detailed and insightful critical analysis while avoiding jargon...Firestorm isa remarkable achievement as a first look at the impact of 11 September on filmmaking, and lays the groundwork for any number of new approaches. -- Jeffrey Mazo Survival [A] thoughtful and thorough investigation of the celluloid response to that chilling September day. -- Luke Davies The Australian A rich record and accounting of the first decade of responses by both mainstream and marginal American filmmakers. -- Corey K. Creekmur Cineaste

Stephen Prince is a professor of cinema at Virginia Tech, teaching film history, criticism, and theory. He is the author of numerous books, including Classical Film Violence, Movies and Meaning: An Introduction to Film, The Warrior's Camera: The Cinema of Akira Kurosawa, and Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.

• Acknowledgments Introduction 1. Theater of Mass Destruction 2. Shadows Once Removed 3. Ground Zero in Focus 4. Battleground Iraq 5. Terrorism on the Small Screen 6. No End in Sight Appendix 1: Historical Timeline Appendix 2: Filmography Notes Bibliography Index

[Firestorm] will be a popular resource for film students. -- James Clarke Times Higher Education Supplement Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history... Essential. Choice offers a detailed and insightful critical analysis while avoiding jargon...Firestorm isa remarkable achievement as a first look at the impact of 11 September on filmmaking, and lays the groundwork for any number of new approaches. -- Jeffrey Mazo Survival [A] thoughtful and thorough investigation of the celluloid response to that chilling September day. -- Luke Davies The Australian A rich record and accounting of the first decade of responses by both mainstream and marginal American filmmakers. -- Corey K. Creekmur Cineaste

Stephen Prince is a professor of cinema at Virginia Tech, teaching film history, criticism, and theory. He is the author of numerous books, including Classical Film Violence, Movies and Meaning: An Introduction to Film, The Warrior's Camera: The Cinema of Akira Kurosawa, and Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.

• Acknowledgments Introduction 1. Theater of Mass Destruction 2. Shadows Once Removed 3. Ground Zero in Focus 4. Battleground Iraq 5. Terrorism on the Small Screen 6. No End in Sight Appendix 1: Historical Timeline Appendix 2: Filmography Notes Bibliography Index

[Firestorm] will be a popular resource for film students. -- James Clarke Times Higher Education Supplement Prince's impressively thorough and intelligently written book will serve as a guide for some years to this visually indelible episode in American history... Essential. Choice offers a detailed and insightful critical analysis while avoiding jargon...Firestorm isa remarkable achievement as a first look at the impact of 11 September on filmmaking, and lays the groundwork for any number of new approaches. -- Jeffrey Mazo Survival [A] thoughtful and thorough investigation of the celluloid response to that chilling September day. -- Luke Davies The Australian A rich record and accounting of the first decade of responses by both mainstream and marginal American filmmakers. -- Corey K. Creekmur Cineaste