Fired Clay in Four Porcelain Clusters

Tai Wei Lim is assistant professor of the Department of Japanese Studies at the Chinese University of Hong Kong.

• List of FiguresList of TablesAcknowledgmentsIntroductionChapter 1: Japanese Trade Ceramics in the Premodern Global Trading SpaceChapter 2: Interpretations of Japanese Modernity: A Case Study of Japan’s Energy Transition in the Ceramics IndustryChapter 3: Energy Transition in Creative Production: Narratives and Fieldwork about Energy Use in the Ceramics-Making Industries of Hong Kong, Japan, and ChinaChapter 4: Blue and White Fired Clay in Everyday Lives: An Ecology of Creative Production, Energy Use, and Aesthetics of Arita (With Comparative References to Jingdezhen)Chapter 5: Ideas about Resource Use and the Natural Environment in Pottery-making: A Historical Comparative Case Study of Two Communities in Hong Kong and JapanChapter 6: Post-Modernism and Pottery-Making: A Case Study of Issues of Artistic Production, Environmental Awareness and Energy Use in Hong Kong with Comparative References to China and JapanChapter 7: Negotiating the Narrative of the “Last Frontier”: A Case Study of a Fourth-Generation Hong Kong Potter and his Art as well as Environmental and Ethical Consciousness through Non-Governmental Initiatives in Myanmar (Burma)Chapter 8: Shek Kip Mei’s Artistic Green VillageChapter 9: Fieldwork in Arita: The Ecology of the Town, its People, the Natural Environment, and its Energy UseChapter 10: A History of Jingdezhen Kilns, Its Development, and Energy Use (With Comparative References to Arita)Chapter 11: Yingge – The Town, Its Developmental History, and Energy UseConclusionBibliography

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