Film Stock

An International History of a Sensitive Medium

Inbunden, Engelska, 2027

AvKirsty Sinclair Dootson,Pansy Duncan,Alice Lovejoy

1 969 kr

Kommande

A global collection exploring the vital significance of film's materiality to the history of cinemaMade from animal bones, plant cellulose, and precious metals, photochemical film defined a century of cinema. Looking past Hollywood and beyond iconic companies like Eastman Kodak, Agfa, and Pathé, Film Stock travels to Argentina, India, Czechoslovakia, and other locales to offer a truly global history of the very material of film.Engaging with cultural, political, economic, and environmental questions of significant contemporary concern, Film Stock shows the immense consequences of how film was made, handled, processed, destroyed, and archived. Individual essays explore how climate shaped film distribution in early twentieth-century Southeast Asia, unique film formats manufactured in China, early efforts to standardize the size of film stock in Hollywood, and how Eastman Kodak's tropical research lab in Panama became a tool of cultural empire.With a deep commitment to archival research and substantive engagement with primary materials, Film Stock is a major work that tells the international story of film's physical life. Its innovative, groundbreaking essays make a compelling case for why, even in our digital age, motion picture film matters.Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Produktinformation

Utgivningsdatum2027-03-30
Mått152 x 229 x 19 mm
Vikt454 g
FormatInbunden
SpråkEngelska
Antal sidor376
FörlagUniversity of Minnesota Press
ISBN9781517921682

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Film inom Kultur

Alice Lovejoy is author, most recently, of Tales of Militant Chemistry: The Film Factory in a Century of War. She is a former editor at Film Comment and professor of cultural studies and comparative literature and moving image, media, and sound at the University of Minnesota.Kirsty Sinclair Dootson is associate professor in art and material cultures of Britain at University College London. She is author of The Rainbow's Gravity: Colour, Materiality and British Modernity.Pansy Duncan is senior lecturer in media studies at Massey University. She is author, most recently, of A Natural History of Film Form.