Film Noir

Häftad, Engelska, 2016

AvHomer B. Pettey,R. Barton Palmer,University of Arizona) Pettey, Homer B. (Professor Emeritus of Film and Comparative Literature,Clemson University) Palmer, R. Barton (Calhoun Lemon Professor of Literature,Homer B Pettey,R Barton Palmer

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Explores the development of film noir as a cultural and artistic phenomenon. This book traces the development of what we know as film noir from the proto-noir elements of Feuillade’s silent French crime series and German Expressionism to the genre’s mid-twentieth century popularization and influence on contemporary global media. By employing experimental lighting effects, oblique camera angles, distorted compositions, and shifting points-of-view, film noir’s style both creates and comments upon a morally adumbrated world, where the alienating effects of the uncanny, the fetishistic, and the surreal dominate. What drew original audiences to film noir is an immediate recognition of this modern social and psychological reality. Much of the appeal of film noir concerns its commentary on social anxieties, its cynical view of political and capitalist corruption, and its all-too-brutal depictions of American modernity. This book examines the changing, often volatile shifts in representations of masculinity and femininity, as well as the genre’s complex relationship with Afro-American culture, observable through noir’s musical and sonic experiments. Key featuresTraces the history of film noir from its aesthetic antecedents through its mid-century popularization to its influence on contemporary global mediaDiscusses the influence of literary and artistic sources on the development of film noirIncludes extensive bibliographies, filmographies and recommended noir film viewingConcludes with a reflective chapter by Alain Silver and James Ursini on their own influential studies and collections on film noir criticism

Produktinformation

Utgivningsdatum2016-02-19
Mått156 x 234 x 18 mm
Vikt378 g
FormatHäftad
SpråkEngelska
SerieTraditions in American Cinema
Antal sidor240
FörlagEdinburgh University Press
ISBN9781474413077

Tillhör följande kategorier

Film inom Kultur
Medievetenskap inom Samhälle och politik
Kulturvetenskap inom Samhälle och politik

Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.). R. Barton Palmer is Calhoun Lemon Professor of Literature Emeritus at Clemson University. He is the author, editor, or general editor of many books including Hollywood’s Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). He is the series editor for EUP’s traditions in World Cinema, Traditions in American Cinema and International Film Stars series, and he is co-editor of five recent EUP books: Michael Mann, George Cukor, Film Noir, International Noir and The Other Hollywood Renaissance.

Acknowledgements; Notes on Contributors; List of Figures; The Noir Turn, Homer B. Pettey; 1. The Cinema of Uncertainty and the Opacity of Information from Louis Feuillade’s Crime Serials to Film Noir, Vicki Callahan; 2. Warning Shadows: German Expressionism and American Film Noir, Janet Bergstrom; 3. Hard-boiled Tradition and Film Noir, Homer B. Pettey; 4. Cold War Noir, R. Barton Palmer; 5. Noiring the Pitch: The Conflicted Soundtracks of Out of the Past, The Blue Gardenia, and The Long Goodbye, Krin Gabbard; 6. Split Screen: Sound/Music in The Stranger/Criss Cross, Robert Miklitsch; 7. Gender and Noir, Elisabeth Bronfen; 8. The Subversive Shade of Black in Film Noir, Charles Scruggs; Postscript: A History of Our Writing about Film Noir, Alain Silver and James Ursini; Selected Reading Guide to Film Noir: Book and Book Chapters; Selected Viewing Guide to Film Noir; Index.

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