DUDLEY ANDREW R. Selden Rose Professor of Film and Comparative Literature at Yale University, USANELL ANDREW Assistant Professor of Art History at the University of Georgia, USAIAN CHRISTIE Fellow of the British Academy and Professor of Film and Media History at Birkbeck College, University of London, UK SIMON DIXON teaches Film, Literature, and Critical Studies in the Honors Program at Montana State University, USASUSAN FELLEMAN Associate Professor of Cinema Studies in the Department of Cinema and Photography and of Women's Studies at Southern Illinois University Carbondale, USAGAVIN HOGBEN Working Architect and Researcher in digital media who has taught, practiced, and published extensively on both sides of the AtlanticTROND LUNDEMO Associate Professor in the Department of Cinema Studies at Stockholm University, SwedenJOHN MACKAY Professor of Slavic Languages and Literatures and Film Studies and Chair of the Film Studies Program at Yale University, USALYNDA NEAD Pevsner Professor of History of Art at Birkbeck College, University of London, UKFRANÇOIS PENZ teaches in the Faculty of Architecture and History of Art at the University of Cambridge, UKBRIGITTE PEUCKER Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University, USALARA PUCCI Lecturer in Art History at the University of Nottingham, UKSALLY SHAFTO teaches film at Ibn Zohr University in its Polydisciplinary Faculty in Ouarzazate, MoroccoNOA STEIMATSKY AssociateProfessor in the Department of Cinema and Media Studies at the University of Chicago, USAJEREMI SZANIAWSKI PhD candidate at Yale University, USA

• Foreword; B.Peucker Acknowledgments Note on Contributors Introduction; A.Dalle Vacche PART I: EARLY CINEMA The Artist's Studio: The Affair of Art and Film; L.Nead Cezanne and the Lumiere Brothers; A.Dalle Vacche The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew PART II: FILM THEORY Vertov and the Line: Art, Socialization, Collaboration; J.MacKay Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon PART III: VISUAL STUDIES, ART HISTORY, FILM Of the Face, in Reticence; N.Steimatsky Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci PART IV: PAINTERS AND FILMMAKERS Artistic Encounters: Jean-Marie Straub, Daniele Huillet, and Cezanne; S.Shafto Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman PART V: FILM, MUSEUM, NEW MEDIA A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie Elegy, Eulogy, and the Utopia of Restoration-Alexander Sokurov's Russian Ark; J.Szaniawski Museums as Laboratories of Change: the Case for the Moving Image; F.Penz Right Here...Right Now...Art Gone Live!; G.Hogben Index

'A provocative interrogation of the multidimensional relations among the visual arts. Consistently lucid, informed and original, these essays reveal unexpected and hitherto unexplored aspects of modernity and visual culture that suggest fresh and creative ways of rethinking these phenomena. An outstanding collection.' - Ronald Bogue, University of Georgia, USA 'The sixteen essays gathered in this volume offer stimulating perspectives on the cultural and media processes which have just led, since the early twentieth century to the present day, to such an alleged loss of the museum's walls.' - Susana S. Martins, Journal of Curatorial Studies 2.2

DUDLEY ANDREW R. Selden Rose Professor of Film and Comparative Literature at Yale University, USANELL ANDREW Assistant Professor of Art History at the University of Georgia, USAIAN CHRISTIE Fellow of the British Academy and Professor of Film and Media History at Birkbeck College, University of London, UK SIMON DIXON teaches Film, Literature, and Critical Studies in the Honors Program at Montana State University, USASUSAN FELLEMAN Associate Professor of Cinema Studies in the Department of Cinema and Photography and of Women's Studies at Southern Illinois University Carbondale, USAGAVIN HOGBEN Working Architect and Researcher in digital media who has taught, practiced, and published extensively on both sides of the AtlanticTROND LUNDEMO Associate Professor in the Department of Cinema Studies at Stockholm University, SwedenJOHN MACKAY Professor of Slavic Languages and Literatures and Film Studies and Chair of the Film Studies Program at Yale University, USALYNDA NEAD Pevsner Professor of History of Art at Birkbeck College, University of London, UKFRANÇOIS PENZ teaches in the Faculty of Architecture and History of Art at the University of Cambridge, UKBRIGITTE PEUCKER Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University, USALARA PUCCI Lecturer in Art History at the University of Nottingham, UKSALLY SHAFTO teaches film at Ibn Zohr University in its Polydisciplinary Faculty in Ouarzazate, MoroccoNOA STEIMATSKY AssociateProfessor in the Department of Cinema and Media Studies at the University of Chicago, USAJEREMI SZANIAWSKI PhD candidate at Yale University, USA

• Foreword; B.Peucker Acknowledgments Note on Contributors Introduction; A.Dalle Vacche PART I: EARLY CINEMA The Artist's Studio: The Affair of Art and Film; L.Nead Cezanne and the Lumiere Brothers; A.Dalle Vacche The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew PART II: FILM THEORY Vertov and the Line: Art, Socialization, Collaboration; J.MacKay Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon PART III: VISUAL STUDIES, ART HISTORY, FILM Of the Face, in Reticence; N.Steimatsky Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci PART IV: PAINTERS AND FILMMAKERS Artistic Encounters: Jean-Marie Straub, Daniele Huillet, and Cezanne; S.Shafto Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman PART V: FILM, MUSEUM, NEW MEDIA A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie Elegy, Eulogy, and the Utopia of Restoration-Alexander Sokurov's Russian Ark; J.Szaniawski Museums as Laboratories of Change: the Case for the Moving Image; F.Penz Right Here...Right Now...Art Gone Live!; G.Hogben Index

'A provocative interrogation of the multidimensional relations among the visual arts. Consistently lucid, informed and original, these essays reveal unexpected and hitherto unexplored aspects of modernity and visual culture that suggest fresh and creative ways of rethinking these phenomena. An outstanding collection.' - Ronald Bogue, University of Georgia, USA 'The sixteen essays gathered in this volume offer stimulating perspectives on the cultural and media processes which have just led, since the early twentieth century to the present day, to such an alleged loss of the museum's walls.' - Susana S. Martins, Journal of Curatorial Studies 2.2

DUDLEY ANDREW R. Selden Rose Professor of Film and Comparative Literature at Yale University, USANELL ANDREW Assistant Professor of Art History at the University of Georgia, USAIAN CHRISTIE Fellow of the British Academy and Professor of Film and Media History at Birkbeck College, University of London, UK SIMON DIXON teaches Film, Literature, and Critical Studies in the Honors Program at Montana State University, USASUSAN FELLEMAN Associate Professor of Cinema Studies in the Department of Cinema and Photography and of Women's Studies at Southern Illinois University Carbondale, USAGAVIN HOGBEN Working Architect and Researcher in digital media who has taught, practiced, and published extensively on both sides of the AtlanticTROND LUNDEMO Associate Professor in the Department of Cinema Studies at Stockholm University, SwedenJOHN MACKAY Professor of Slavic Languages and Literatures and Film Studies and Chair of the Film Studies Program at Yale University, USALYNDA NEAD Pevsner Professor of History of Art at Birkbeck College, University of London, UKFRANÇOIS PENZ teaches in the Faculty of Architecture and History of Art at the University of Cambridge, UKBRIGITTE PEUCKER Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University, USALARA PUCCI Lecturer in Art History at the University of Nottingham, UKSALLY SHAFTO teaches film at Ibn Zohr University in its Polydisciplinary Faculty in Ouarzazate, MoroccoNOA STEIMATSKY AssociateProfessor in the Department of Cinema and Media Studies at the University of Chicago, USAJEREMI SZANIAWSKI PhD candidate at Yale University, USA

• Foreword; B.Peucker Acknowledgments Note on Contributors Introduction; A.Dalle Vacche PART I: EARLY CINEMA The Artist's Studio: The Affair of Art and Film; L.Nead Cezanne and the Lumiere Brothers; A.Dalle Vacche The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew PART II: FILM THEORY Vertov and the Line: Art, Socialization, Collaboration; J.MacKay Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon PART III: VISUAL STUDIES, ART HISTORY, FILM Of the Face, in Reticence; N.Steimatsky Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci PART IV: PAINTERS AND FILMMAKERS Artistic Encounters: Jean-Marie Straub, Daniele Huillet, and Cezanne; S.Shafto Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman PART V: FILM, MUSEUM, NEW MEDIA A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie Elegy, Eulogy, and the Utopia of Restoration-Alexander Sokurov's Russian Ark; J.Szaniawski Museums as Laboratories of Change: the Case for the Moving Image; F.Penz Right Here...Right Now...Art Gone Live!; G.Hogben Index

'A provocative interrogation of the multidimensional relations among the visual arts. Consistently lucid, informed and original, these essays reveal unexpected and hitherto unexplored aspects of modernity and visual culture that suggest fresh and creative ways of rethinking these phenomena. An outstanding collection.' - Ronald Bogue, University of Georgia, USA 'The sixteen essays gathered in this volume offer stimulating perspectives on the cultural and media processes which have just led, since the early twentieth century to the present day, to such an alleged loss of the museum's walls.' - Susana S. Martins, Journal of Curatorial Studies 2.2