From Cuba to Rapa Nui/Easter Island, from 1930s Hollywood Mr. Moto murder-mysteries to contemporary Patricio Guzmán documentaries, The Film Archipelago draws on the uniqueness of islands (their distinctive memories, their liminality, relationality, imaginary) to provide a timely perspective on our tumultuous world from the Global South. This standout book is a truly engaging, wonderfully varied, and deeply insightful contribution to Film Studies (as it turns increasingly away from the nation towards the wider world), which will also resonate strongly across Latin American and Island Studies. A captivating read!