LEE GRIEVESON is Director of Film Studies at University College London.COLIN MACCABEis Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium

• Introduction: Film at the End of Empire; L.Grieveson .- Great Games: Film, History and Working-Through Britain's Colonial Legacy; P.Gilroy.- PART I: EMPIRE AT WAR.- The Last Roll of the Dice: Morning, Noon and Night, Empire, and the Historiography of the Crown Film Unit; M.Stollery.- India on Film: 1939-1947; R. Osborne.- Official and Amateur: Exploring Information Film in India, 1920s-1940s; R.Vasudevan.- Who Needs a Witch Doctor? African Activists and the Re-Imagining of Africa in the 1940s; P.Zachernuk.- 'Johnny Gurkha Loves a Party': The Colonial Film Archive and the Racial Imaginary of the Worker-Warrior; V.Ware.- PART II FILM/GOVERNMENT/DEVELOPMENT.- From the Inside: The Colonial Film Unit and the Beginning of the End; T.Rice.- Images of Empire on Shifting Sands: the Colonial Film Unit in West Africa in the Post-War Period; R.Smyth.- The End of Empire: The Films of the Malayan Film Unit in 1950s British Malaya; H.Muthalib.- PART III: PROJECTING AFRICA.- Projecting the Modern Colonial State: Mobile Cinema in Kenya; C.Ambler.- Poverty and Development as Themes in British Films on the Gold Coast, 1927-1957; G.Austin.- Mumbo-Jumbo, Magic and Modernity: Africa in British Cinema, 1946-1965;

LEE GRIEVESON is Director of Film Studies at University College London.COLIN MACCABEis Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium

• Introduction: Film at the End of Empire; L.Grieveson .- Great Games: Film, History and Working-Through Britain's Colonial Legacy; P.Gilroy.- PART I: EMPIRE AT WAR.- The Last Roll of the Dice: Morning, Noon and Night, Empire, and the Historiography of the Crown Film Unit; M.Stollery.- India on Film: 1939-1947; R. Osborne.- Official and Amateur: Exploring Information Film in India, 1920s-1940s; R.Vasudevan.- Who Needs a Witch Doctor? African Activists and the Re-Imagining of Africa in the 1940s; P.Zachernuk.- 'Johnny Gurkha Loves a Party': The Colonial Film Archive and the Racial Imaginary of the Worker-Warrior; V.Ware.- PART II FILM/GOVERNMENT/DEVELOPMENT.- From the Inside: The Colonial Film Unit and the Beginning of the End; T.Rice.- Images of Empire on Shifting Sands: the Colonial Film Unit in West Africa in the Post-War Period; R.Smyth.- The End of Empire: The Films of the Malayan Film Unit in 1950s British Malaya; H.Muthalib.- PART III: PROJECTING AFRICA.- Projecting the Modern Colonial State: Mobile Cinema in Kenya; C.Ambler.- Poverty and Development as Themes in British Films on the Gold Coast, 1927-1957; G.Austin.- Mumbo-Jumbo, Magic and Modernity: Africa in British Cinema, 1946-1965;

LEE GRIEVESON is Director of Film Studies at University College London.COLIN MACCABEis Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium

• Introduction: Film at the End of Empire; L.Grieveson .- Great Games: Film, History and Working-Through Britain's Colonial Legacy; P.Gilroy.- PART I: EMPIRE AT WAR.- The Last Roll of the Dice: Morning, Noon and Night, Empire, and the Historiography of the Crown Film Unit; M.Stollery.- India on Film: 1939-1947; R. Osborne.- Official and Amateur: Exploring Information Film in India, 1920s-1940s; R.Vasudevan.- Who Needs a Witch Doctor? African Activists and the Re-Imagining of Africa in the 1940s; P.Zachernuk.- 'Johnny Gurkha Loves a Party': The Colonial Film Archive and the Racial Imaginary of the Worker-Warrior; V.Ware.- PART II FILM/GOVERNMENT/DEVELOPMENT.- From the Inside: The Colonial Film Unit and the Beginning of the End; T.Rice.- Images of Empire on Shifting Sands: the Colonial Film Unit in West Africa in the Post-War Period; R.Smyth.- The End of Empire: The Films of the Malayan Film Unit in 1950s British Malaya; H.Muthalib.- PART III: PROJECTING AFRICA.- Projecting the Modern Colonial State: Mobile Cinema in Kenya; C.Ambler.- Poverty and Development as Themes in British Films on the Gold Coast, 1927-1957; G.Austin.- Mumbo-Jumbo, Magic and Modernity: Africa in British Cinema, 1946-1965;