Del 13 - NIKI Studies in Netherlandish-Italian Art History

Filippino Lippi

Beauty, Invention and Intelligence

Inbunden, Engelska, 2020

Av Paula Nuttall, Geoffrey Nuttall, Michael Kwakkelstein

3 199 kr

Beställningsvara. Skickas inom 5-8 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception.The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.

Produktinformation

Utgivningsdatum2020-07-23
Mått155 x 235 x 19 mm
Vikt878 g
FormatInbunden
SpråkEngelska
SerieNIKI Studies in Netherlandish-Italian Art History
Antal sidor380
FörlagBrill
ISBN9789004416109

Tillhör följande kategorier

Konsthistoria inom Kultur
Målarkonst inom Kultur

Paula Nuttall, Ph.D. (1990), Courtauld Institute of Art is Course Director at the V&A Academy, London. She is an art historian specialising in artistic relations between the Netherlands and Italy in the Renaissance, on which she has published widely.Geoffrey Nuttall, Ph.D. (2013), Courtauld Institute of Art, is an independent scholar specialising in Renaissance Lucca. He has published widely on aspects of Lucchese artistic patronage, and is currently preparing a monograph Lucca at the Dawn of the RenaissanceMichael W. Kwakkelstein, Ph.D. (1994), is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Dutch University Institute for Art History in Florence.

ContentsDirector’s RemarksAcknowledgementsList of IllustrationsNotes on ContributorsIntroductionPaula Nuttall1 The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)Jonathan K. Nelson2 Filippino in Botticelli’s WorkshopMichelle O’Malley3 Visible Rays in Filippino’s London Adoration of the MagiPaul Hills4 Filippino Lippi’s Lucchese PatronsGeoffrey Nuttall5 The Virgin at the Well in Filippino’s San Gimignano AnnunciationJoost Joustra6 ‘... di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritrattiPatrizia Zambrano7 From Reiteration to Dialogue: Filippino’s Responses to Netherlandish PaintingPaula Nuttall8 Annunciations and Assumptions: Notes on a Particular Constellation in the Carafa ChapelJohannes Grave9 The Temporary and the Temporal: Suspense in the Strozzi ChapelAlison Wright10 Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnicaAlessandra Popple and Cristiana Conti11 Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel DecorationCharles Robertson12 Reconsidering Lucchese Painting after FilippinoChristopher Daly13 ‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French CollectionsMatteo Gianeselli14 Sfortuna di Raffaellino del GarboAlessandro CecchiAppendix: A Note on the Identification of the Saints in the Background of the London Adoration of the MagiJill Dunkerton and Rachel BillingeList of Photographic CreditsIndex