• Acknowledgements; A note on citations of the Waverley novels; 1. The historical novel and the production of the past; 2. The reemplotment of rebellion: Waverley and Old Mortality; 3. Historical fable and political fantasy: The Heart of Midlothian and The Bride of Lammermoor; 4. Redgauntlet: the historical romance as metafiction; Notes; Index.

'A complex and original interpretation of the novels … Kerr conducts some intense and scrupulous reading of Scott's texts, honoring their imaginative richness while exposing their unexpressed ideological commitments. He brings to bear on Scott a sound critical intelligence.' George Levine, Rutgers University

• Acknowledgements; A note on citations of the Waverley novels; 1. The historical novel and the production of the past; 2. The reemplotment of rebellion: Waverley and Old Mortality; 3. Historical fable and political fantasy: The Heart of Midlothian and The Bride of Lammermoor; 4. Redgauntlet: the historical romance as metafiction; Notes; Index.

'A complex and original interpretation of the novels … Kerr conducts some intense and scrupulous reading of Scott's texts, honoring their imaginative richness while exposing their unexpressed ideological commitments. He brings to bear on Scott a sound critical intelligence.' George Levine, Rutgers University

• Acknowledgements; A note on citations of the Waverley novels; 1. The historical novel and the production of the past; 2. The reemplotment of rebellion: Waverley and Old Mortality; 3. Historical fable and political fantasy: The Heart of Midlothian and The Bride of Lammermoor; 4. Redgauntlet: the historical romance as metafiction; Notes; Index.

'A complex and original interpretation of the novels … Kerr conducts some intense and scrupulous reading of Scott's texts, honoring their imaginative richness while exposing their unexpressed ideological commitments. He brings to bear on Scott a sound critical intelligence.' George Levine, Rutgers University