Fetish

Orlando Ricardo Menes is an associate professor of English and Faculty Fellow of the Institute for Latino Studies at the University of Notre Dame. His poetry collections include, among others, Furia: Poems and Rumba atop the Stones.

• Contents  Acknowledgments   000  Part 1. Ars Poetica  Courtyard of Clotheslines, Angel Hill     000Golgotha    000Fetish      000Mambo 000Maracas of Rain   000Aubade: The Charcoal Makers   000Zvi Mendel  000The Maximum Leader Addresses His Island Nation  000Spiderman in Havana     000Den of the Lioness      000Libros      000Refrigeradores    000Elegy for Great-Uncle Julio, Cane Cutter  000TÍa Gladys, Backroom Seamstress     000Zafra 000Ars Poetica 000  Part 2. El Cristo de Piedra  Windfall Antiques 000Horses      000Lalo, Peddler     000Television, a Patient Teacher 000Sal    000Village of the Water People   000El Cristo de Piedra     000Birthing Adrian   000Tantrums    000Braille     000Pyx   000Adderall    000St. Joseph River  000Ashes 000Mole  000  Part 3. The Gringo Called Ñakak  Soroche     000The Gringo Called Ñakak 000Altiplano   000Panegyric for the Condor      000The Devil's Miner 000The Boy from Chimbote   000Parable     000Our Lord of Miracles    000Top   000Toro  000Breakfast with Capitalists    000Juancito's Wake   000  Source Acknowledgments  000Notes for Poems   000Glossary    000

"Well versed in the uprooted life of an immigrant, Menes's profound references not only convey local color but also bring the essence of his family history eye level with the reader in these striking verses."—World Literature Today "The poems in the collection are powerful, yet engaging narratives crafted by a gifted poet and story-teller."-Mary Alexander, Caribbean Writer "With flowing language, vivid imagery, and brilliant word choices, Menes can tell a heart-wrenching story in four stanzas."-Mary Christy, Big Muddy "Drenched with the flavor and savor of the Caribbean, Orlando Ricardo Menes's Fetish is a treat for the mouth and the ear, as well as for the mind. Striking characters abound: Zvi Mendel, 'retired tobacconist to Havana's Ashkenazim'; an unnamed female survivor of a prison called 'Den of the Lioness.' Anger at injustice often surfaces. The beauty of the region springs up everywhere. But it is sound that powers these poems, a piquant blend of English spiced with Español. . . . These delectable poems beg to be tasted. To be spoken. To be sung."—Charles Harper Webb, author of Shadow Ball "Open Orlando Ricardo Menes's exquisite poetry collection Fetish, and you'll quickly see a folk sculpture of Eleggua, though I should warn you. In the Cuban Santería religion, this deity has 101 manifestations, or roads, he may take you down. In this way, he is not unlike Menes's poems, which may lead us, in a matter of pages, from suburban Indiana to Miami to Panamá to Kichwa-speaking villages in the Andes. Although the destinies of these roads offer vastly different insights, if we survive them, there is a sensibility that unifies the whole: Menes does not easily identify with grand ideologies and personal arrogance. Rather, he keeps his eye on those who go largely unrecorded by history: a poor great-uncle alienated from his own family by politics, a daughter with severe ADHD, a papá assiduously mending used furniture, a political prisoner who survives cruelty by caring for the earth's smallest creatures—lame rat, pregnant mouse, chirping cricket."—Maurice Kilwein Guevara, author of Poema and Postmortem"Orlando Ricardo Menes's Fetish is a rare work of the American Creole Sublime, conjuring visions of his Cuban homeland as a sacred geography of vanquished mestizo dreams, his Florida boyhood a world of transmuting tropical wonder. At once mythic, syncretic, and autobiographical, transported on strains of epiphanic geomancy, Menes's work subtly presents a new vision of América that Martí, Stevens and Walcott would all embrace. You want to whisper in a fever, 'Adelante!'"—John Phillip Santos, University Distinguished Scholar in Mestizo Cultural Studies, University of Texas at San Antonio