Festivals as Reparative Gender Politics

Zorica Siročić □is an assistant professor (since July 2021) in the Department of Sociology at the University of Graz in Austria. Prior to this position, she was a post-doctoral fellow of the Austrian Academy of Sciences (2020/21). She holds a PhD in sociology (University of Graz, 2019, with distinction), MA degree in political science (Central European University, 2010, with distinction) and a diploma in political science (University of Zagreb, 2009). Her PhD research on feminist festivals in Southeastern Europe was granted the Gabriele Possanner Award for excellence in gender research by the Austrian Ministry of Science, Education and Research (2019) and the SOWI In Dialog Award for the best doctoral thesis by the Faculty of Social and Economic Sciences of the University of Graz (2019).

• Introduction 1. Festivals and Gender Politics 2. Festivals and Gender Politics in Southeastern Europe 3. Belonging 4. Play 5. Dissent and Reflection 6. Fun 7. Conclusion

Honorable Mention, 2024 Heldt Prize for Best Book in Slavic, East European, and Eurasian Women’s and Gender Studies, The Association for Women in Slavic Studies (AWSS)'Festivals as Reparative Politics offers a unique glimpse into the region that feverishly sought for an authentic – and, in several senses, reparative – outlet for a different political imagination. Zorica Siročić provides an encompassing insight into how a generation of feminist and queer people coming of political age in a postsocialist, post-conflict and (post)transition contexts attempted to do politics differently, and why reflection and celebration were integral parts of it. The festivals are analyzed as the space where participants reclaimed a sense of individual and group agency, against their post-war heteropatriarchal cultures, often in a distinctly DIY (or DIO) way. Doing politics differently entailed experimenting, free expression and (self-)reflection on often messy and contradictory politics of gender. The festivals were created as safe spaces, spaces of play and joy, but also as a testing ground for horizontality, structurelessness, blurred boundaries, queer intimacies. The book shows us that they functioned as archives of emotions made public, archives of memories of joint struggles and places to reflect on our socio-political embeddedness. Combining intellectual generosity with a genuine openness towards the truly liberating aspects of the post-Yugoslav queer and feminist culture, Festivals as Reparative Politics manages to capture alternative ways of repairing the society torn by its war-led way to postsocialism.'Adriana Zaharijević, Institute for Philosophy and Social Theory, University of Belgrade, author of Judith Butler and Politics (2023)'This book is about feminist festivals as safe spaces where one can belong, play and be creative, reflect and have fun and thus achieve reparation. It shows how these fascinating spaces existed in Southeastern European post-communist countries as early or even earlier than in the West. It allows us to peak into and learn from one of the most consolidated feminist arenas of the post-communist region. It teaches us about feminist responses and resilience in contexts where everyday reality is often hostile, misogynic or homophobic. A fascinating read.'Andrea Krizsan, Professor in the Department of Public Policy and the Gender Studies Department, Central European University, Vienna, Austria