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Bartholomew Ryan, Giovanbattista Tusa, Antonio Cardiello - Fernando Pessoa and Philosophy, Häftad

Häftad, Engelska, 2023

Del i serien Global Aesthetic Research

Fernando Pessoa and Philosophy

Countless Lives Inhabit Us

Av Bartholomew Ryan, Giovanbattista Tusa, Antonio Cardiello

769 kr

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Beskrivning
This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."
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Bartholomew Ryan is a philosophy researcher, musician, and coordinator of CultureLab at IFILNOVA, New University of Lisbon.Giovanbattista Tusa is a philosopher based in Lisbon, where he is currently researching philosophy and ecology at IFILNOVA, New University of Lisbon.Antonio Cardiello is a philosophy postdoctoral fellow and member of CultureLab at IFILNOVA, New University of Lisbon.

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If, indeed, ‘there is something in literature that is out of reach of the philosopher,’ innumerable readers have yet striven to bridge such a gap. Never more timely nor expertly confronted than here, comes a perceptive international grappling with that very dangerous binary of separation which suffuses the intellectual appeal of Pessoa’s own texts: ‘Countless lives inhabit us’ . . . and countless genres, too.

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