Feminist Visions

Cristelle Maury is Associate Professor of English and Film Studies at at Université Toulouse Jean Jaurès, France. She is co-editor of Women Who Kill: Gender and Sexuality in Film and Series of the Post-feminist Era (Bloomsbury Academic, 2020).Hélène Charlery is Associate Professor of American and Films Studies at Université Toulouse Jean-Jaurès, France. She is co-editor of Erasure and Recollection. Memories of Racial Passing Within and Beyond the United States (2021). Her research focuses on the intersectional representations of Black female characters in American film and television series.

• List of ContributorsIntroduction – Hélène Charlery and Cristelle MauryAcknowledgementPart I. Feminist Tales of Rape: #MeToo Television?1. Unbelievable (2019): Feminism and Rape – Delphine Letort2. “Monstrous and Shameless:” Trauma, Control, and Narrative (of) Empowerment in I May Destroy You (2020) – Sabine AretzPart II: Postfeminist or Intersectional Television and Cinema3. Nothing But a “Woke Façade”? Postfeminism Turned Intersectional Feminism in Contemporary Reboots of Female-Centric TV Shows – Audrey Haensler4. “God Is Good, All the Time”: Womanism and Black Feminism in Service of Christian Hegemony in Greenleaf (OWN, 2016-2020) – Mikaël Toulza5. Empowering Latina voices: Exploring the figure of the Latina maid in 21st-century independent films - Emilie Cheyroux6. The Gaze is the Message – Anne CrémieuxPart III: Reclaiming Feminist Film Theory7. Making Film Noir with a Feminist Gaze in Theory and Practice: the case of Kelly Reichardt’s Night Moves - Cristelle Maury8. Stitching together feminism, genre(s) and couture in The Dressmaker (2015) – Lauren O’Mahony and Kyra Clarke9. A Feminist Archive of Past Future Sounds: Archiveological Reverberations in Lisa Rovner’s Sisters with Transistors (2020) – Samuel Fernández-PichelPart IV: Feminist Film/making and Reception10. “He Doesn’t Get to Win”: Twitter, Fan Culture, and Gone Girl – Brenna Sherrill11. Finding Feminist Filmmaking – Janet StaigerIndex