Charlotte Canning is Assistant Professor in the department of Theater and Dance at the University of Texas at Austin. She has published a wide varieky of articles about feminism and theater history.

• Table of Contents Dedication Epigraph Table of Contents Illustrations Acknowledgements Introduction Two Projects 1 Writing the History of Feminist Theater Groups 2 Feminism, Theater, and Radical Politics: Intersecting at Experience 3 Collectivity and Collaboration 4 Representing Community and Experience: Plays About Mothers and Daughters 5 Representing the Patriarchy and Experience: Plays About Violence Against Women 6 The Community as Audience Conclusion: Changes and Legacies Appendix A List of Interviews Appendix B Interview Questions Appendix C Feminist Theaters and Producing Organisations Bibliography

Charlotte Canning is Assistant Professor in the department of Theater and Dance at the University of Texas at Austin. She has published a wide varieky of articles about feminism and theater history.

• Table of Contents Dedication Epigraph Table of Contents Illustrations Acknowledgements Introduction Two Projects 1 Writing the History of Feminist Theater Groups 2 Feminism, Theater, and Radical Politics: Intersecting at Experience 3 Collectivity and Collaboration 4 Representing Community and Experience: Plays About Mothers and Daughters 5 Representing the Patriarchy and Experience: Plays About Violence Against Women 6 The Community as Audience Conclusion: Changes and Legacies Appendix A List of Interviews Appendix B Interview Questions Appendix C Feminist Theaters and Producing Organisations Bibliography

Charlotte Canning is Assistant Professor in the department of Theater and Dance at the University of Texas at Austin. She has published a wide varieky of articles about feminism and theater history.

• Table of Contents Dedication Epigraph Table of Contents Illustrations Acknowledgements Introduction Two Projects 1 Writing the History of Feminist Theater Groups 2 Feminism, Theater, and Radical Politics: Intersecting at Experience 3 Collectivity and Collaboration 4 Representing Community and Experience: Plays About Mothers and Daughters 5 Representing the Patriarchy and Experience: Plays About Violence Against Women 6 The Community as Audience Conclusion: Changes and Legacies Appendix A List of Interviews Appendix B Interview Questions Appendix C Feminist Theaters and Producing Organisations Bibliography