Chris Klassen is assistant professor of religion and culture at Wilfrid Laurier University. She is the author of Storied Selves: Shaping Identity in Feminist Witchcraft (Lexington Books 2008).

• Chapter 1 Introduction: Feminist Spirituality and Third-Wave FeminismPart 2 Part IChapter 3 Chapter One: Imagination, Empowerment, and Imaginary FiguresChapter 4 Chapter Two: Queering Feminist WitchcraftChapter 5 Chapter Three: Bound in the Spiral Dance: Spirituality and Technology in the Third WaveChapter 6 Chapter Four: Fandemonium and SpiritualityChapter 7 Chapter Five: Not Pretty Girls? Sexuality, Spirituality, and Gender Construction in Women's Rock MusicChapter 8 Chapter Six: Feminist Teaching of the Goddess in Southern Alberta: Students' Responses and ChallengesPart 9 Part IIChapter 10 Chapter Seven: Generational Change in Goddess Feminism: Some Observations from the UKChapter 11 Chapter Eight: Ritual Actions: Feminist Spirituality in Anti-Globalization ProtestsChapter 12 Chapter Nine: Across Generations: Women's Spiritualities, Literary Texts, and Third Wave Feminism

With analytical daring and a wealth of resources, Feminist Spirituality sets the agenda for understanding new developments in Goddess spirituality. Anyone interested in where feminist spirituality has gone and is now going—and what that means for feminists of all ages—cannot afford to miss this lively book.

Chris Klassen is assistant professor of religion and culture at Wilfrid Laurier University. She is the author of Storied Selves: Shaping Identity in Feminist Witchcraft (Lexington Books 2008).

• Chapter 1 Introduction: Feminist Spirituality and Third-Wave FeminismPart 2 Part IChapter 3 Chapter One: Imagination, Empowerment, and Imaginary FiguresChapter 4 Chapter Two: Queering Feminist WitchcraftChapter 5 Chapter Three: Bound in the Spiral Dance: Spirituality and Technology in the Third WaveChapter 6 Chapter Four: Fandemonium and SpiritualityChapter 7 Chapter Five: Not Pretty Girls? Sexuality, Spirituality, and Gender Construction in Women's Rock MusicChapter 8 Chapter Six: Feminist Teaching of the Goddess in Southern Alberta: Students' Responses and ChallengesPart 9 Part IIChapter 10 Chapter Seven: Generational Change in Goddess Feminism: Some Observations from the UKChapter 11 Chapter Eight: Ritual Actions: Feminist Spirituality in Anti-Globalization ProtestsChapter 12 Chapter Nine: Across Generations: Women's Spiritualities, Literary Texts, and Third Wave Feminism

With analytical daring and a wealth of resources, Feminist Spirituality sets the agenda for understanding new developments in Goddess spirituality. Anyone interested in where feminist spirituality has gone and is now going—and what that means for feminists of all ages—cannot afford to miss this lively book.

Chris Klassen is assistant professor of religion and culture at Wilfrid Laurier University. She is the author of Storied Selves: Shaping Identity in Feminist Witchcraft (Lexington Books 2008).

• Chapter 1 Introduction: Feminist Spirituality and Third-Wave FeminismPart 2 Part IChapter 3 Chapter One: Imagination, Empowerment, and Imaginary FiguresChapter 4 Chapter Two: Queering Feminist WitchcraftChapter 5 Chapter Three: Bound in the Spiral Dance: Spirituality and Technology in the Third WaveChapter 6 Chapter Four: Fandemonium and SpiritualityChapter 7 Chapter Five: Not Pretty Girls? Sexuality, Spirituality, and Gender Construction in Women's Rock MusicChapter 8 Chapter Six: Feminist Teaching of the Goddess in Southern Alberta: Students' Responses and ChallengesPart 9 Part IIChapter 10 Chapter Seven: Generational Change in Goddess Feminism: Some Observations from the UKChapter 11 Chapter Eight: Ritual Actions: Feminist Spirituality in Anti-Globalization ProtestsChapter 12 Chapter Nine: Across Generations: Women's Spiritualities, Literary Texts, and Third Wave Feminism

With analytical daring and a wealth of resources, Feminist Spirituality sets the agenda for understanding new developments in Goddess spirituality. Anyone interested in where feminist spirituality has gone and is now going—and what that means for feminists of all ages—cannot afford to miss this lively book.