SALLY MACARTHUR is a Lecturer in Musicology for the School of Contemporary Arts at the University of Western Sydney in Australia. She is the editor of Proceedings of the New Music Australia Conference 1992 (1998) and co-editor, with Cate Poynton, of Musics and Feminisms (1999). She is the Associate Editor of the interdisciplinary visual and performing arts journal Postwest.

• Introduction: For Women's Eyes Only?Feminist Aesthetics in MusicMusic in Context and PracticeThe Power of Sound, The Power of Sex: Alma Mahler-Werfel's AnsturmSexing the Subject of Musical Analysis: Rebecca Clarke and Elisabeth LutyensMeditations on Feminist Aesthetics: Anne Boyd's Cycle of LoveFraming the Case for a Feminist Reading of Elena Kats-Chernin's Postmodern Tast-enSexual Signatures: Feminist Aesthetics in the Music of Moya Henderson after the Death of the AuthorThis Music which is between TwoBibliographyDiscographyIndex

SALLY MACARTHUR is a Lecturer in Musicology for the School of Contemporary Arts at the University of Western Sydney in Australia. She is the editor of Proceedings of the New Music Australia Conference 1992 (1998) and co-editor, with Cate Poynton, of Musics and Feminisms (1999). She is the Associate Editor of the interdisciplinary visual and performing arts journal Postwest.

• Introduction: For Women's Eyes Only?Feminist Aesthetics in MusicMusic in Context and PracticeThe Power of Sound, The Power of Sex: Alma Mahler-Werfel's AnsturmSexing the Subject of Musical Analysis: Rebecca Clarke and Elisabeth LutyensMeditations on Feminist Aesthetics: Anne Boyd's Cycle of LoveFraming the Case for a Feminist Reading of Elena Kats-Chernin's Postmodern Tast-enSexual Signatures: Feminist Aesthetics in the Music of Moya Henderson after the Death of the AuthorThis Music which is between TwoBibliographyDiscographyIndex

SALLY MACARTHUR is a Lecturer in Musicology for the School of Contemporary Arts at the University of Western Sydney in Australia. She is the editor of Proceedings of the New Music Australia Conference 1992 (1998) and co-editor, with Cate Poynton, of Musics and Feminisms (1999). She is the Associate Editor of the interdisciplinary visual and performing arts journal Postwest.

• Introduction: For Women's Eyes Only?Feminist Aesthetics in MusicMusic in Context and PracticeThe Power of Sound, The Power of Sex: Alma Mahler-Werfel's AnsturmSexing the Subject of Musical Analysis: Rebecca Clarke and Elisabeth LutyensMeditations on Feminist Aesthetics: Anne Boyd's Cycle of LoveFraming the Case for a Feminist Reading of Elena Kats-Chernin's Postmodern Tast-enSexual Signatures: Feminist Aesthetics in the Music of Moya Henderson after the Death of the AuthorThis Music which is between TwoBibliographyDiscographyIndex