Elaine Wood holds a Ph.D. in English and Gender and Women’s Studies (University of Illinois at Urbana-Champaign, 2015) and a J.D. in Law (University of Miami School of Law, 2019). She serves as the Code of Conduct Ombudsperson for the International Flann O’Brien Society. Her teaching and scholarship investigate how to sustain and attain equity and justice at the intersection of sexuality and law. Prior to teaching Women’s and Gender Studies at Bucknell University, Professor Wood served as a law clerk for the U.S. Department of Justice.

• Introduction 1 Clothing and the Female Body in Woolf’s Orlando 2 Yeats’ Female Forms and Poetic Figures 3 Joyce’s Portrait of the Artist as a Young Girl 4 Playing the (Body) Part in Beckett’s Theater Conclusion: The Woman Made-Up

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Elaine Wood holds a Ph.D. in English and Gender and Women’s Studies (University of Illinois at Urbana-Champaign, 2015) and a J.D. in Law (University of Miami School of Law, 2019). She serves as the Code of Conduct Ombudsperson for the International Flann O’Brien Society. Her teaching and scholarship investigate how to sustain and attain equity and justice at the intersection of sexuality and law. Prior to teaching Women’s and Gender Studies at Bucknell University, Professor Wood served as a law clerk for the U.S. Department of Justice.

• Introduction 1 Clothing and the Female Body in Woolf’s Orlando 2 Yeats’ Female Forms and Poetic Figures 3 Joyce’s Portrait of the Artist as a Young Girl 4 Playing the (Body) Part in Beckett’s Theater Conclusion: The Woman Made-Up

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Elaine Wood holds a Ph.D. in English and Gender and Women’s Studies (University of Illinois at Urbana-Champaign, 2015) and a J.D. in Law (University of Miami School of Law, 2019). She serves as the Code of Conduct Ombudsperson for the International Flann O’Brien Society. Her teaching and scholarship investigate how to sustain and attain equity and justice at the intersection of sexuality and law. Prior to teaching Women’s and Gender Studies at Bucknell University, Professor Wood served as a law clerk for the U.S. Department of Justice.

• Introduction 1 Clothing and the Female Body in Woolf’s Orlando 2 Yeats’ Female Forms and Poetic Figures 3 Joyce’s Portrait of the Artist as a Young Girl 4 Playing the (Body) Part in Beckett’s Theater Conclusion: The Woman Made-Up

Select Guide Rating