Fantasy of the Middle Ages

Larisa Grollemond is assistant curator of manuscripts at the J. Paul Getty Museum. Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of a global Middle Ages and fantasy medievalisms.

"This lively and engaging book highlights the key role that visual culture has played in constructing modern (mis)understandings of the so-called Middle Ages. Delightful images of everything from precious antiquities to contemporary film stills support the authors' insightful analyses. Direct and nuanced engagement with issues around race, gender, sexuality, and other questions of diversity make The Fantasy of the Middle Ages essential reading for anyone curious about how we come to know the material cultures of the past as well as the present."--Maggie M. Williams, Executive Director, The Material Collective ;; "A fascination on every page. This bright and bold exploration of medievalism is not just a collection of stories told and reimagined in every new age, but a rich tapestry in its own right. Inclusive, illuminating, and filled with insight."--A. R. Capetta & Cory McCarthy, authors of the bestselling Once & Future series ;; "Whether you're a storyteller looking for inspiration, an art historian, or simply a lover of beautiful things paying homage to other beautiful things, Fantasy of the Middle Ages is a lush and thoughtful exploration of why this period continues to affect our art today in both obvious and surprising ways."--Kiersten White, New York Times bestselling author of the Camelot Rising Trilogy ;; "With wit and verve, The Fantasy of the Middle Ages explores the perennial popularity of the medieval world in the modern imagination from Tolkien to Game of Thrones. Grollemond and Keene convincingly demonstrate how storytellers of all kinds utilize the rich imagery of the Middle Ages to create an alternative fantasy space, almost a playground, where their own contemporary fears and anxieties can be more safely probed, and paradigms subverted. From the Pre-Raphaelites to Nintendo's Legend of Zelda, we remain enamored with our own fantasy medieval worlds and the consequences of this infatuation continue to remake and reshape the material culture of the twenty-first century."--Kristina Perez, author of The Sweet Black Waves Trilogy ;; "The fascination with magic and the Middle Ages has captured imaginations for generations, and ours is no different. Grollemond and Keene take us through the tropes and imagery that first built the fantasy of medieval times and follow it through to our own modern day retellings with vivid illustrations, thought-provoking commentary on the past and current social context, and careful deconstruction of what was truly historical and what has become legend. An intriguing read for anyone who has wondered at the origins of legends like Robin Hood, King Arthur and the Round Table, and the magic and myth of fairies, princesses, wizards, and kings."--Jenny Elder Moke, author of Hood ;; "A lavishly illustrated book full of delights and surprises: King Arthur's knights, talking animals, music, movies, maps, and Renaissance fairs all make an appearance, alongside insights into race, gender, and sexuality, both in the medieval past and today. The authors even offer glimpses of vast, premodern worlds beyond Europe and Christendom-in this book, your grandad's European Middle Ages is wholly remade by new ideas and new pleasures in how the past is recovered today."--Geraldine Heng, author of The Invention of Race in the European Middle Ages and The Global Middle Ages: An Introduction