Fan Phenomena: The Lord of the Rings

Lorna Piatti-Farnell, Ph.D., is professor of media and cultural studies at Auckland University of Technology, where she is also director of the Popular Culture Research Centre. In addition, she is an adjunct professor at Curtin University (Australia), president of the Gothic Association of New Zealand and Australia (GANZA) and the coordinator of the Australasian Horror Studies Network. Her research interests lie at the intersection of film, popular media, and cultural history, and include a focus on corporeality, horror, bio-ethics, disability, eco-environmental studies, technology, superheroes and the Gothic. She has published widely in these areas, including volumes such as Consuming Gothic: Food and Horror in Film (Palgrave, 2017), Gothic Afterlives: Reincarnations of Horror in Film and Popular Media (Lexington, 2019) and The Superhero Multiverse: Readapting Popular Icons in Twenty-first-century Film and Popular Media (Lexington, 2021). Piatti-Farnell is sole editor of the Routledge Advances in Popular Culture Studies book series, as well as co-editor (together with Professor Carl Sederholm) of the Horror Studies series for Lexington Books. She is the principal editor of The Australasian Journal of Popular Culture.Contact: Auckland University of Technology, 55 Wellesley Street East, Auckland CBD, Auckland 1010, New Zealand.

• Introduction Lorna Piatti-FarnellMaking Fantasy Matter: The Lord of the Rings and the Legitimization of Fantasy Cinema Alexander SergeantThe Lord of the Rings: One Digital Fandom to Initiate Them All Maggie ParkeReforging the Rings: Fan Edits and the Cinematic Middle-earth Joshua WilleWalking Between Two Lands, or How Double Canon Works in The Lord of the Rings Fan Films Miguel Àngel Pérez-GómezOn Party Business: True-fan Celebrations in New Zealand’s Middle-earth Lorna Piatti-FarnellThere, Here and Back Again: The Search for Middle-earth in Birmingham Emily M. GrayLooking for Lothiriel: The Presence of Women in Tolkien Fandom Cait Coker and Karen ViarsLord of the Franchise: The Lord of the Rings, IP Rights and Policing Appropriation Paul MountfortWriting the Star: The Lord of the Rings and the Production of Star Narratives Anna MartinUnderstanding Fans’ ‘Precious’: The Impact of the Lord of the Rings Films on the Hobbit Movies Abigail G. Scheg

'For a series with such a diverse following, spanning generations, continents and media, this book does a superb job in bringing the world behind the creation(s) of Middle Earth to life.'