JULIAN MITCHELL is an English playwright, screenwriter and occasional novelist. His theatrical works include the award winning Another Country and After Aida. He is perhaps best known for his work on Inspector Morse and the big screen biopics of Oscar Wilde (Wilde) and Vincent Van Gogh (Vincent & Theo).

"A very clever play, and a witty one as well…The succession of one-liners flows copiously" 4 stars – whatsonstage.com"As a playwright, Julian Mitchell is part of a vanishing breed: the fastidious craftsman who knows how to explore ideas while generating suspense. [it displays] his familiar virtues... of irony, wit and intelligence. It is clear that the play is, in part, a modern-day Lear… immensely watchable" – The Guardian

JULIAN MITCHELL is an English playwright, screenwriter and occasional novelist. His theatrical works include the award winning Another Country and After Aida. He is perhaps best known for his work on Inspector Morse and the big screen biopics of Oscar Wilde (Wilde) and Vincent Van Gogh (Vincent & Theo).

"A very clever play, and a witty one as well…The succession of one-liners flows copiously" 4 stars – whatsonstage.com"As a playwright, Julian Mitchell is part of a vanishing breed: the fastidious craftsman who knows how to explore ideas while generating suspense. [it displays] his familiar virtues... of irony, wit and intelligence. It is clear that the play is, in part, a modern-day Lear… immensely watchable" – The Guardian

JULIAN MITCHELL is an English playwright, screenwriter and occasional novelist. His theatrical works include the award winning Another Country and After Aida. He is perhaps best known for his work on Inspector Morse and the big screen biopics of Oscar Wilde (Wilde) and Vincent Van Gogh (Vincent & Theo).

"A very clever play, and a witty one as well…The succession of one-liners flows copiously" 4 stars – whatsonstage.com"As a playwright, Julian Mitchell is part of a vanishing breed: the fastidious craftsman who knows how to explore ideas while generating suspense. [it displays] his familiar virtues... of irony, wit and intelligence. It is clear that the play is, in part, a modern-day Lear… immensely watchable" – The Guardian