“Fake is great fun, offering a peek into a world of glitz that most of us will never glimpse firsthand." —Washington Post

From the author of The Boys’ Club, a gripping novel set in the high-stakes world of art forgery that moves across the globe, from the trendy art galleries of Manhattan's Chelsea neighborhood to the high-flying international art fairs of Hong Kong.

Can you spot the difference? 

Emma Caan is a fake. 

She’s a forger, an artist who specializes in nineteenth-century paintings. But she isn’t a criminal; her copies are commissioned by museums and ultra-wealthy collectors protecting their investments. Emma’s more than mastered a Gauguin brushstroke and a van Gogh wheat field, but her work is sometimes a painful reminder of the artistic dreams she once chased for herself, when she was younger and before her family and her world fell apart. 

When oligarch art collector Leonard Sobetsky unexpectedly appears with an invitation, Emma sees a way out—a new job, a new path for herself, and access to the kind of money she needs to support her unstable and recently widowed mother. 

But every invitation incurs an obligation . . . and Emma isn’t prepared for what’s to come. As she’s pulled further into Leonard’s opulent scene, she will discover what’s lurking beneath the glitz and glamour. When she does, the past she’s worked hard to overcome will collide with the present, making her wonder how much of her carefully curated life is just as fake as her forgeries . . .

“Fake is great fun, offering a peek into a world of glitz that most of us will never glimpse firsthand." —Washington Post

From the author of The Boys’ Club, a gripping novel set in the high-stakes world of art forgery that moves across the globe, from the trendy art galleries of Manhattan's Chelsea neighborhood to the high-flying international art fairs of Hong Kong.

Can you spot the difference? 

Emma Caan is a fake. 

She’s a forger, an artist who specializes in nineteenth-century paintings. But she isn’t a criminal; her copies are commissioned by museums and ultra-wealthy collectors protecting their investments. Emma’s more than mastered a Gauguin brushstroke and a van Gogh wheat field, but her work is sometimes a painful reminder of the artistic dreams she once chased for herself, when she was younger and before her family and her world fell apart. 

When oligarch art collector Leonard Sobetsky unexpectedly appears with an invitation, Emma sees a way out—a new job, a new path for herself, and access to the kind of money she needs to support her unstable and recently widowed mother. 

But every invitation incurs an obligation . . . and Emma isn’t prepared for what’s to come. As she’s pulled further into Leonard’s opulent scene, she will discover what’s lurking beneath the glitz and glamour. When she does, the past she’s worked hard to overcome will collide with the present, making her wonder how much of her carefully curated life is just as fake as her forgeries . . .

“Fake is great fun, offering a peek into a world of glitz that most of us will never glimpse firsthand." —Washington Post

From the author of The Boys’ Club, a gripping novel set in the high-stakes world of art forgery that moves across the globe, from the trendy art galleries of Manhattan's Chelsea neighborhood to the high-flying international art fairs of Hong Kong.

Can you spot the difference? 

Emma Caan is a fake. 

She’s a forger, an artist who specializes in nineteenth-century paintings. But she isn’t a criminal; her copies are commissioned by museums and ultra-wealthy collectors protecting their investments. Emma’s more than mastered a Gauguin brushstroke and a van Gogh wheat field, but her work is sometimes a painful reminder of the artistic dreams she once chased for herself, when she was younger and before her family and her world fell apart. 

When oligarch art collector Leonard Sobetsky unexpectedly appears with an invitation, Emma sees a way out—a new job, a new path for herself, and access to the kind of money she needs to support her unstable and recently widowed mother. 

But every invitation incurs an obligation . . . and Emma isn’t prepared for what’s to come. As she’s pulled further into Leonard’s opulent scene, she will discover what’s lurking beneath the glitz and glamour. When she does, the past she’s worked hard to overcome will collide with the present, making her wonder how much of her carefully curated life is just as fake as her forgeries . . .